Reviews
E.A. POETS APPROVED/BANDS WE LIKE – SPYDERHUFF
GENEVA (I GOT ARRESTED)
By Chris Mariotti
Good Day Noir Family,
“Geneva” by Spyderhuff opens in a way that immediately drops you into its world — a flight attendant’s announcement cuts through the air, and suddenly you’re there, picturing the cramped cabin, the hum of the engines, the anticipation in the air.
Geneva is Spyderhuff’s Single Out Now
Then the music slides in, slow and deliberate, with the dusty warmth of Americana and the grit of desert rock. It’s a track that takes its time, inviting you into a bizarre, almost absurd story: being arrested for carrying a laser pointer intended for a presentation.
The delivery is where the magic lies. The vocals carry the wry humor and dry bite of Johnny Cash, laced with the moody, shadowed presence of Nick Cave. There’s no rush — every phrase is given room to breathe, as if the singer is leaning back in his chair, telling the tale with a half-smile.
The harmonica drifts in like a ghost wandering through a forgotten town, and the guitar solos — occasionally echoing the fluid touch of Mark Knopfler — bring just the right amount of sharp sunlight into the dusty atmosphere.
Irony is at the heart of “Geneva,” but it’s never heavy-handed. Instead, the absurdity of the situation is framed with a kind of knowing nod — a reminder that real life can be stranger and more ridiculous than anything you could make up. The track’s pacing reflects that mood perfectly; there’s a sense of dazed disbelief, of walking slowly through an event so surreal it almost feels like a dream.
“Geneva” is more than just a single — it’s the gateway to a full EP that expands on Spyderhuff’s uniquely American desert-rock identity. The other three tracks continue to paint wide-open sonic landscapes where irony, grit, and storytelling meet. This is music for long drives, strange nights, and stories you have to hear twice to believe.
Geneva is Spyderhuff’s Single Out Now!
E.A. POETS APPROVED/BANDS WE LIKE – SPYDERHUFF
STRAY DOG BLUES
By Chris Mariotti
Good Day Noir Family,
There’s a certain grit that hits you the moment “Stray Dog Blues” begins. The slide work on the dobro feels like heat rising off desert asphalt — a fitting entrance for a track that feels pulled straight from the backroads of America.
Spyderhuff doesn’t just perform this song; they seem to inhabit it. With Tom Kuhr leading the charge on slide, baritone guitar, and vocals, there’s an immediate sense of being somewhere dusty and raw, a place where stories are written in scars and sung in bars.
The groove settles in when the bongos and bass arrive — Tony Mitchell’s subtle percussion giving it a loose, wild energy, and Don Beyer’s bass and organ grounding it like the heartbeat of a long road trip.
Kuhr’s vocals carry a tone that feels lived-in, like the voice of a man who’s seen the desert sky too many times to believe in anything but instinct. It calls to mind the ghosts of outlaw country — a bit of Johnny Cash’s steel and ZZ Top’s swagger — but this isn’t mere imitation.
The chorus, enhanced by distant, howling background vocals, adds a communal, almost primal feel — like a pack gathering under the moon. It pulls you in without effort. When Joey Gaydos unleashes the lead guitar solo, there’s a shift.
It’s not confined to blues — it hints at heavier, more alternative tones, reminiscent of Queens of the Stone Age with a southern drawl. The rhythm section, bolstered by James Carmichael Dooley’s solid drumming, never falters, keeping the track driving forward with purpose.
What makes “Stray Dog Blues” stand out is its dual nature. It’s rough-edged and sharply arranged. It feels vintage but not retro, rooted in tradition but not chained to it. Spyderhuff understands how to balance swagger with soul, grit with groove.
Stray Dog Blues is Spyderhuff’s Single Out Now!
Spyderhuff Drops Latest Blues-Rock Single, Stray Dog Blues
By Ritikamudabidri, Sinusoidal Music
There is something magical, or rather a zen mode, that one experiences while listening to blues music, and this exact same feeling is what you are going to get once you tune in to the latest single by Spyderhuff, Stray Dog Blues. A psychedelic blues-rock band tracing its origins to the 70s has its deep roots in Detroit, and their compositions portray those roots very clearly.
Let us find out what this song has in store for the listeners!
The latest single by Spyderhuff, Stray Dog Blues, is an authentic blues-rock track that has a psychedelic soundscape where the groove is primarily what sets the mood. Besides that, there are some really excellent guitar parts going on throughout the track on top of some tasteful hand percussions that add more layers to the groove on top of the drums and bass. Additionally, you will also hear some wonderful slide guitar playing and a few moments of sheer grit and bold licks that bring out the true sonic expression of the blues. Moreover, other than the music, the lyrical aspect of the song is also quite heart-touching as the track talks about the miserable lives of stray dogs, and the soundscape truly portrays that reality of the state in which the stray dogs live through the days.
Spyderhuff – “Stray Dog Blues”
by Mike Mineo
A sweltering bluesy rock allure shines on “Stray Dog Blues,” a new track from Detroit-based act Spyderhuff. Twangy guitars and solemn organs complement a dynamic vocal presence, ranging from heartfelt laments to ardent woo-ing. The release takes inspiration from when the artist’s dog, Sonny, got loose one day and ended up at the city dog shelter, for his owner to pick him up. “When I walked in, I could hear and feel the K-9 pleas ‘take me, take me!'” he says. “Then Sonny heard my voice, and he wailed like a siren. Sonny was glad to be back home on my lap.” Even though Sonny found his way back home, it still prompted the question: what about those stray dogs?
Coming via Spyderhuff’s upcoming sixth EP, Barfly at the Barn Dance, “Stray Dog Blues” ushers in gradually as fragments of twangy guitars and percussive shakes drive into a bluesy vocal contemplation: “How ’bout them dogs? How ’bout them stray dogs? They got no name, they got no tags.” Added guitars and blaring organs bolster the enveloping production quickly thereafter, further complemented by more ardent vocal infusions, before the “coat is ragged” descriptions continue during the smoky verses. The lyrical depictions balance the relief of freedom with the stresses of no faithful owner or reliable meal. “Stray Dog Blues” is a memorable rocker with plenty of heart from Spyderhuff.
Featuring on this single are: Tom Kuhr (Slide Guitar, Baritone Guitar, Dobro, Synth, Vocals), Don Beyer (Bass Guitar, Organ), Joey Gaydos (Lead Guitar), James Carmichael Dooley (drums), and Tony Mitchell (Bongos).
E.A. POETS APPROVED/BANDS WE LIKE – SPYDERHUFF
By Chris Mariotti
Good Day Noir Family,
There’s a certain freedom that Cold Hard Bliss taps into—like the kind you feel turning the ignition of a sun-warmed convertible, your partner by your side, the open road stretching wide ahead.
Spyderhuff delivers a track that feels built for that kind of ride, the kind of trip where the skies shift between clear blue and brewing grey, and yet you keep driving because the journey matters more than the weather.
The band—made up of Tom Kuhr (vocals, slide guitar, harmonica, synth), Don Beyer (bass, piano, organ), Joey Gaydos (lead guitar), and Jim Pauli (drums)—plays with an organic chemistry that feels seasoned but never tired. The groove rolls steady and unshakable, anchored by Pauli’s confident drumming and Beyer’s bass that knows exactly when to sit back and when to move forward.
The Americana and classic rock hues are subtle but unmistakable, painting in tones that feel familiar without ever dipping into cliché.
Tom Kuhr’s vocals carry a raw clarity that cuts straight through. He doesn’t just sing the lyrics—he inhabits them. There’s grit, but also a kind of calm reflection that lets each word hit with purpose.
His harmonica break halfway through the track adds a dreamy layer, one that floats above the mix just long enough to lift you off the ground before the band tightens back in.
Joey Gaydos lays down tasteful, bluesy leads that shimmer without showboating. Beyer’s keyboard contributions lend warmth and depth, creating subtle shifts in texture that enhance the track’s dynamic without overwhelming it.
Beneath the steady rhythm and well-worn road trip imagery, there’s real emotion. It speaks to relationships that endure turbulence, to personal trials that don’t always have easy answers. It reflects life as a long drive where the engine might stutter, but the wheels keep turning.
Spyderhuff has managed to craft a track that’s rich with experience and emotion, rooted in authenticity and driven by great musicianship. The production is clean yet rugged, with each instrument given space to breathe. It’s the kind of tune that grows on you with every spin—solid, honest, and memorable.
"Cold Hard Bliss" - Spyderhuff
Feature 23 April
Written By Iain Johnson
It’s golden hour. You and your partner are cruising down a dusty two-lane road in an old station wagon. You’re not saying much, but the silence is full of history. That is the atmosphere of Spyderhuff’s new single, "Cold Hard Bliss."
“Cold Hard Bliss” is a whole lived-in moment bottled up with grit, grace, and a whole lot of honesty. Drawing from the deep wells of alt-country, classic rock, soft rock, and a little good old-fashioned honky-tonk wisdom, Spyderhuff delivers something that’s equal parts road-worn and romantic, sarcastic and sincere.
“Cold Hard Bliss” is a love song—but not the fairy tale kind. This is the kind of love that’s been through it, the kind where laugh lines and battle scars go hand in hand, where a quiet look means more than a thousand flowery declarations. It’s about staying when it would’ve been easier to go. About weathering storms with someone who still holds your hand when the clouds clear.
If you’ve ever been in a long-term relationship—the real kind, not just the honeymoon phase—this song is going to speak to your soul.
Sonically, “Cold Hard Bliss” is like if The Eagles, Tom Petty, and Chris Stapleton got together for a late-night jam in an old barn with a few beers and no filter.
Tom Kuhr lays down warm, weary vocals, plus some lovely slide guitar and harmonica that brings the soul. Don Beyer holds down the groove with bass, piano, and organ, adding that soft-rock cushion that wraps the whole track in comfort. Joey Gaydos rips out those melty lead guitar lines that feel like memories flickering in the rearview mirror.
And Jim Pauli on drums keeps things steady, simple, and solid—just like the kind of love this song is about.
It's polished without being too pretty, rough around the edges in all the right ways, and completely unafraid to lean into nostalgia without getting lost in it.
This is the first track off Spyderhuff’s upcoming EP Barfly at the Barn Dance, and it sets the tone just right. The band says they "loaded up the family station wagon, headed down south, and dug up some country roots"—and honestly, that image alone makes you wanna ride shotgun on this whole EP journey.
With upcoming tracks like “Good Love,” “Stray Dog Blues,” “Geneva,” and an instrumental take on “All Things Must Pass,” it looks like we’re in for a series of witty, rootsy, real-deal Americana tracks that lean into the humor, heartbreak, and everything in between.
"Cold Hard Bliss" is the kind of song you put on when you're feeling everything all at once. It’s for those sunset drives, those long conversations where nothing gets said but everything gets understood, and those moments where love feels more like a choice than a fairytale—and you still choose it.
Spyderhuff’s blend of dry wit, classic tones, and soul-deep storytelling hits just right here. And if this is how they’re kicking off Barfly at the Barn Dance, we’re all in.
Spyderhuff Unveils Standout Single Cold Hard Bliss: A Soulful Ode To Love’s Grit, Grace, And Quiet Triumphs
By Faithfulness / 28 April 2025
From the storied streets of Detroit, a city that pulses with industrial grit and musical innovation, emerges Spyderhuff, a band that masterfully embodies the city’s restless creativity. Composed of seasoned musicians who first cut their teeth in Detroit’s genre-blending scene of the ‘60s and ‘70s, the group fuses hard rock, jazz-fusion, country, and soul into a sound that feels both nostalgic and forward-thinking. The lineup features Tom Kuhr (vocals, guitar, harmonica, sax, synth), Don Beyer (bass, synth), Jim Pauli (drums), Joey Gaydos (guitar), Tony Mitchell (congas, bongos, drums, backing vocals), and Julie Savoy (backing vocals). These are players with history, lifelong collaborators whose shared roots in Motor City music make their chemistry feel effortless.
Released on April 18th, 2025, “Cold Hard Bliss” by Spyderhuff is a poignant and richly textured track that stands as a compelling reflection on the bittersweet nature of enduring love. This song isn’t a ballad draped in romanticized fantasy, but rather a grounded portrayal of long-term relationships, the kind that have seen joy, heartache, sacrifice, and deep familiarity. Spyderhuff delivers this narrative with a soulful, country-infused sound that feels both aged in experience and fresh in its emotional resonance. From the first notes, the track announces itself not with flashy production but with emotional clarity and musical intention, inviting listeners into a sonic space of quiet introspection and raw honesty.
The instrumentation in “Cold Hard Bliss” is beautifully constructed, striking a perfect balance between polish and authenticity. The song opens with a haunting yet warm interplay between slide guitar and harmonica, immediately setting a tone that is at once melancholic and comforting. These elements evoke imagery of dusty roads, fading photographs, and the shared silences between two people who have learned to love not in spite of the challenges, but because of them. Each instrument serves the narrative purposefully. Tom Kuhr’s harmonica work lends a rustic, heartland flavor, while Don Beyer’s layered instrumentation with bass, piano, and organ fills out the sonic backdrop with a richness that never overwhelms the listener but instead guides them gently through the emotional landscape.
Vocally, Tom Kuhr delivers a performance that is subtle yet powerful. His voice is not overly ornamented, and that is precisely what makes it so effective. There’s a weary resolve in his tone, a man reflecting on love not as a fairy tale but as a complex, sometimes painful, always worthwhile journey. His phrasing and delivery exhibit a deep understanding of the song’s themes, effortlessly conveying both resignation and tenderness. The result is a vocal presence that feels intimate and human, as though he is speaking directly to anyone who has held onto love through the years, through hardship, change, and quiet triumphs.
Lyrically, “Cold Hard Bliss” is sharp and evocative, laden with dry wit and a reflective sense of humor that grounds the song’s emotional depth. Spyderhuff doesn’t shy away from the unglamorous truths of long-term love. Instead, they embrace them. The lyrics suggest a shared journey marked by compromise, aging, and unspoken understanding. There is a line of poetic contradiction embedded in the title itself, the paradox of love being both “cold” and “blissful”, encapsulating how love can sometimes feel distant or worn yet still provide a kind of unmatched emotional fulfillment. These themes are not only relatable but also powerfully resonant, especially for listeners who have lived enough to know that real love is often found in the small, unremarkable moments.
Production-wise, the track is a masterclass in subtlety and restraint. The clarity of the mix ensures that every instrument has its place without crowding the others, and this openness gives the song room to breathe. Nothing feels overproduced or artificially enhanced. Instead, the production captures the raw energy and emotion of the band’s performance, highlighting the organic chemistry between the players. This is music made by people who know each other well, who have played together through different eras and styles, and that camaraderie comes through in every note. The warmth of the mix, combined with its textured layers, contributes to a feeling that is both nostalgic and immediate.
The emotional arc of the song is deeply affecting. As the track unfolds, there is a sense of movement, not in tempo, but in emotional weight. It feels like a slow drive through memory, where each verse and musical passage unveils another layer of reflection. The structure of the song doesn’t rely on dramatic shifts or obvious climaxes. Instead, it uses steady pacing and thoughtful arrangement to build a quiet momentum. The result is a song that lingers with the listener, not because it demands attention, but because it earns it through its honesty and craftsmanship.
“Cold Hard Bliss” is also significant because it marks the opening chapter of Spyderhuff’s new EP, “Barfly at the Barn Dance”. This sixth EP from the band promises to explore their southern and country roots, and this track sets the stage perfectly. There’s a thematic maturity here that suggests the band is not just playing with new sounds but diving into them with purpose and insight. The choice to release the EP one song at a time throughout 2025 indicates a thoughtful and deliberate approach, and “Cold Hard Bliss” is an ideal starting point, emotionally resonant, musically rich, and lyrically sophisticated.
In the end, “Cold Hard Bliss” is more than just a song. It is a meditation on love’s quiet victories and wearied celebrations. It doesn’t try to dazzle with novelty or trend-chasing, but instead offers a deeply authentic and heartfelt experience. Spyderhuff demonstrates once again that they are masters of musical storytelling, with an ability to turn life’s most ordinary truths into something profoundly moving. This track is not only a standout in their discography but a shining example of how music can honor the complexity of human connection with grace, grit, and soul.
E.A. POETS APPROVED/BANDS WE LIKE – SPYDERHUFF
Good Day Noir Family,
Spyderhuff has a way of delivering music that feels like an unexpected gift, and Time Is Turning Us Behind is no exception. TIME IS TURNING US BEHIND is Spyderhuff’s Single Out Now
Helmed by the visionary Ed ‘Spider’ Huff, this track takes listeners on a unique sonic adventure.
From the moment it begins, the song envelops you in an intense and mysterious atmosphere, underpinned by a steady, hypnotic rhythm that hooks the listeners. The bassline stands out with its intriguing movements, anchoring the track with a confident pulse, while the guitar solo feels like a revelation.
Its slow, soaring notes evoke the spirit of David Gilmour, delivering an emotional resonance that lingers long after the track ends. This is classic rock at its core, yet it refuses to stay confined, blending elements of psychedelia, Americana, and even subtle experimental touches.
Spyderhuff’s strength lies in their ability to fuse genres effortlessly, creating a listening experience that feels unique yet nostalgic. Time Is Turning Us Behind is an intense, evocative piece that showcases the band’s knack for crafting music that resonates deeply with its audience.
TIME IS TURNING US BEHIND is Spyderhuff’s Single Out Now!
TIME IS TURNING US BEHIND really represents the band’s evolutionary sound at its finest. Where else can you enjoy the musical genre ‘Psychedelic‐Swampy‐Bluesrock‐Country’? The mix is immersive and big. You can walk around in it for days. Joey Gaydos executes one the finest guitar solos heard anywhere because he manages to balance two important elements: emotion and composition. The well‐constructed solo does not drown out the spontaneity and emotion reeling from the guitar.
Time Warps and Swampy Blues: Spyderhuff’s “Time Is Turning Us Behind” Beckons You In
By Michael Jamo February 4, 2025
It’s been a minute since we last talked about Spyderhuff, and oh, how I’ve missed their genre-bending, roots-deep storytelling. If you’ve been around, you already know this isn’t just any band—Spyderhuff has a knack for crafting music that feels lived in like an old leather jacket passed down through generations. They blend psychedelic swamp blues, rock, and country into something uniquely their own, a sound as rich as the soil beneath a deep southern bayou. Now, they return with “Time Is Turning Us Behind,” a track that bends time itself, drenched in a slow-burning haze of bluesy riffs, brooding reflections, and raw, soul-clutching emotion.
The song begins like a door creaking open to a dimly lit room—you don’t just hear it; you feel it. A slide guitar moans in the distance, curling like smoke over a smoldering fire, while a baritone guitar looms underneath, heavy with anticipation. The drums enter with a patient, deliberate pace, like footsteps echoing in an abandoned town, and the bass hums with the kind of weight that settles in your bones. This opening isn’t rushed—it unfolds, lets you breathe in the atmosphere, and pulls you deep into its world.
Then, Tom Kuhr’s vocals slide in, weary yet resolute, delivering the opening lines with an aching vulnerability: “Will you see me? Will you hear me? Will you hold me? All night long.” These words, simple yet profound, immediately set the song’s tone—a plea wrapped in loneliness, a quiet yearning for connection in a world slipping away. The way Kuhr delivers them, with subtle gravel in his voice and a touch of restrained desperation, makes you believe every syllable.
One of the most striking elements of “Time Is Turning Us Behind” is its ability to feel both intimate and immense. The band never rushes the moment, allowing each instrument to breathe and expand. Joey Gaydos Sr.’s lead guitar work is nothing short of mesmerizing, and his solo is a standout—an electrifying, winding passage that balances pure emotion with careful composition. It’s the kind of solo that doesn’t just impress technically; it speaks, adding another layer of storytelling to the song’s deep, contemplative nature.
Jim Pauli’s drumming is equally commendable, keeping things steady and unshakable, while Don Beyer’s bass and synth textures deepen the song’s hypnotic atmosphere. There’s a haunting beauty in the production—each note and nuance feels deliberate, enveloping you in a sonic landscape that you could walk around in for days.
Lyrically, “Time Is Turning Us Behind” is filled with lines that linger in the mind long after the last note fades. “There are no devils here, only angels, and I wish I believed that was true” is particularly poignant, encapsulating the inner conflict that ripples throughout the song. The imagery of darkness and searching for a light switch adds a dreamlike, almost surreal quality, reinforcing the sense of being lost in time.
Spyderhuff has delivered a track that doesn’t just sound incredible—it feels like something you’ve known all your life yet is only just discovering. There’s a weight to it, a richness that seeps in slowly and refuses to let go. This is exactly the kind of music that lingers, grows, and reveals more with every listen. “Time Is Turning Us Behind” is a testament to their evolution, yet it holds to what makes them so compelling—fearless storytelling, masterful musicianship, and a sound that refuses to be confined to any one genre. Time may be turning us behind, but Spyderhuff is always moving forward.
By Jeremy Bregman
Spyderhuff Deliver Swampy and Suspenseful Gem ‘Time is Turning us Behind’
Spyderhuff are essentially a piece of the furniture here at Mesmerized. We’ve been following their sonic journey ever since 2023’s smashing album ‘SIN7’, and their flavoursome blend of swampy, psychedelic, blues rock goodness has just wormed its way into our hearts. From ‘The More That I Get’ to ‘Wichita Lineman’ and everything in between, each release adds another layer to their rich and electrifying sonic catalogue.
‘Time is Turning us Behind’ is Spyderhuff’s latest offering, and it’s the perfect example of just what the act are all about. Eclectic, intricate, and expertly layered, the alluring tune sucks you in with intrigue and suspense. Featuring one of the finest guitar solos I’ve heard in some time, courtesy of Joey Gaydos, ‘Time is Turning us Behind’ is a track surging with raw emotion, and one that stays with you long after it’s over.
“Is time turning us forward or is time turning us behind?” That’s the existential question posed by Spyderhuff and their new song. “I guess, that’s a question best for Albert Einstein to answer,” the band conclude.
Running out of superlatives to describe just how gifted an act the Detroit-based outfit truly are, all I can now do is urge you to listen to their music.
Spyderhuff’s “Future” – A Deep Dive into Fate, Control, and What’s Really Ours
By Allen Peterson Dec 14, 2024
Spyderhuff is a band with a rich history, stretching back to the 90s, rooted in Detroit’s musical heartbeat. But it’s not just the city’s famous car industry that influences their name—it’s about honouring the unsung heroes who make things run behind the scenes. The name “Spyderhuff” actually comes from Ed ‘Spider’ Huff, an electrical genius who worked with Henry Ford in the early days of the automotive industry. Just as Huff helped power the machines that moved the world, Spyderhuff’s music moves through a mix of genres, from jazz fusion to rock, always finding new ways to twist and turn familiar sounds into something fresh.
“Future,” their latest track, really digs into the concept of what’s coming down the line—and the unsettling feeling that maybe we can’t do much to change it. The song paints a picture of a world that feels pre-written, where everything is locked into place, and we’re just along for the ride. It’s the kind of feeling that hits home, especially in a time when it feels like so much of what happens next is beyond our control. Through the snapshots in the lyrics, we’re shown a future where personal freedom is stripped away in favour of structure and control—a world that’s as inevitable as it is overwhelming.
The recurring line, “I have seen the future,” carries a weight that feels almost resigned, like the singer knows exactly how it’s all going to unfold, but there’s nothing to be done about it. It’s as if everyone in the song is stuck watching life like a movie that’s already been written. That feeling of watching life happen rather than being fully part of it really strikes a chord—whether it’s in our daily routines or the relationships we deal with. We often feel like we’re just a small part of something bigger, something that started long before we had any say in it. The song’s message about losing who we are and getting caught up in a system that doesn’t leave space for change really reflects how a lot of us feel in the world today.
It’s this tension between wanting to shape our own lives and feeling like so much is already determined that makes “Future” so relatable. How much can we really change? In our personal lives, we find ourselves trying to break free from patterns that seem to keep repeating. It’s not just about the big, societal systems; it’s the small moments—how we’re constantly cycling through the same conversations, the same frustrations, the same fears. Spyderhuff taps into that frustration, giving voice to the sense that we’re caught in a loop, one we don’t always feel equipped to escape.
The way Spyderhuff puts this all together is nothing short of powerful. Each band member brings something essential to the table. Tom Kuhr, playing guitar, sax, and vocals, delivers lyrics that are simple but hit hard, capturing that internal struggle we all know too well. Don Beyer’s bass lines provide a solid foundation, grounding the song as it builds up tension. Joey Gaydos’ lead guitar adds that extra layer of urgency, while Craig Karavas on piano and James Carmichael Dooley on drums create a mood that perfectly matches the song’s somber reflection on what’s coming. Together, they turn the idea of “the future” into a hauntingly beautiful and deeply human experience.
But it’s not just about the music, “Future” really speaks to how we live our lives. In our relationships, careers, and personal journeys, there are times when we wonder how much control we really have. Are we in charge, or are we just going along, hoping things will make sense later? Spyderhuff’s song reminds us that, even though we can’t always control what’s coming, we can choose how we react to it. And maybe that’s where the real freedom is.
In the end, “Future” is a song that speaks to our shared human experience, the tension between wanting to shape our lives and the feeling that so much of what’s to come is already decided. Spyderhuff’s take on this idea is raw, real, and undeniably relatable. It’s a reminder that, even in the face of a world that feels out of our control, there’s still space to reflect, resist, and maybe even find a way to break free.
E.A. POETS APPROVED/BANDS WE LIKE – SPYDERHUFF
Good Day Noir Family,
On their new single 'FUTURE', Spyderhuff invites listeners into a space where uncertainty and anticipation swirl in a hypnotic dance.
Future is Spyderhuff’s Single Out Now
This isn’t a song meant to be consumed casually; it’s a ritual, an experience that asks more of its audience than just passive listening.
The track opens with a deep, pulsing groove that draws you in, but it’s the vocal delivery that first sets the tone. There’s an almost otherworldly quality to it—less like a traditional melody and more like a chant, a beckoning call into the unknown.
The voice doesn’t just sing the lyrics; it seems to carry them into a deeper realm, enhancing their mysterious, almost prophetic tone. The production complements this vocal journey, with layers of sound that gradually build and shift, keeping you on edge.
One of the standout features of Future is the mood set by the piano. Its presence is subtle but undeniable, adding a touch of unease and tension. The chord progressions feel deliberately unsettling, creating a backdrop that feels both unsettling and intimate.
There’s something about the way the piano interacts with the rest of the instrumentation that emphasizes the feeling of instability—an emotional undercurrent that drives the song forward, even when it feels like the ground beneath you is shifting.
Then, there are the guitar solos. A masterclass in blues-rock influence, these moments of fiery expression don’t just punctuate the song—they shape it. Their sharp, emotive lines seem to break through the controlled atmosphere, offering moments of catharsis in a track that thrives on suspense.
The interplay between the raw, gritty solos and the more restrained piano and bass parts gives the song an almost schizophrenic feel, adding layers of complexity without ever losing its hypnotic pull.
The overall vibe of Future is one of dystopian longing—a sense that the future is something enticing and ominous. It’s as if Spyderhuff has captured a vision of what lies ahead and decided to give us a taste of it. The sound of the track evokes a world that’s ancient and futuristic, where tradition and innovation collide in a kind of strange harmony.
What’s most striking about Future is how immersive it is. It’s not just a song you hear; it’s something you feel. Every note, every rhythm, every shift in mood feels like part of a larger vision, pulling you deeper into a world that’s as unsettling as it is magnetic.
The song doesn’t give up its secrets easily, but that’s part of what makes it so engaging. As it fades out, you’re left with a sense that the journey has only just begun. The future may be unknown, but Future offers us a taste of its wild, unpredictable potential.
Future is Spyderhuff’s Single Out Now!
Spyderhuff’s ‘Future’ Is An Experimental Time Warp into the Unknown”
By Michael Jamo November 29, 2024
When it comes to Spyderhuff, ordinary introductions don’t cut it. This Detroit-bred band is a kaleidoscopic force, bending and shaping genres like artisans in Motown shaping metal. With roots deep in jazz fusion and hard rock, their music is a clear collage of the past, present, and future—wrapped in psychedelic blues-rock grooves that hit like a Detroit diesel. And with their new track “Future,” featured on their EP “Everybody Needs a Dog,” they invite us to step into a retro-futuristic journey narrated by none other than “Mr. Future-Man.”
The song opens with the hauntingly prophetic refrain, “I have seen the Future.” The repetition is hypnotic, a mantra that sets the tone for a journey into a world of vivid, surreal visions. The opening verse paints a striking image of an ordinary scene—Billy chugging a beer and making a casual prediction—that quickly escalates into a dystopian montage: “Demolition experts search under the hoods and trunks of cars in parking lots. Trucks loaded with rifle-toting army troops cruise the streets of the capital…I have seen the future.”
Spyderhuff’s genius lies in how they weave these stark images with a sly sense of irony. There’s a whimsical detachment in the storytelling, delivered with a wink that keeps the mood light despite the weighty subject matter. It’s as if Mr. Future-Man is both amused and alarmed by the chaos he recounts, inviting us to laugh nervously at the absurdity of it all.
Musically, “Future” is pure Spyderhuff: a psychedelic blues-rock groove that’s as infectious as it is immersive. The rhythm section lays down a deep, rolling foundation, with basslines that pulse like an engine and drums that keep the pace dynamic and alive. Layers of electric guitar swirl and shimmer, their distortion creating a hallucinatory haze. The production is deliberately raw, capturing the energy of a live performance while still feeling polished enough to highlight the intricacies of the arrangement.
The vocals, delivered with raspy charisma, glide effortlessly over the instrumental landscape, alternating between storytelling and chant-like refrains. And then there’s the instrumental break—a cosmic explosion of sound where guitars wail and bend, echoing the chaos and unpredictability of the future Mr. Future-Man describes.
Lyrically, “Future” is a masterstroke of wit and vision. Lines like “The apostle of change has designed a security blanket around a massive new middle-class entitlement” feel both eerily prescient and timeless, a satirical nod to the cyclical nature of history and politics. By the time the song cycles back to its hypnotic refrain—“I have seen the future on instant replay”—listeners are left questioning their relationship with time, progress, and technology.
Spyderhuff doesn’t just play music; they craft experiences. With “Future,” Spyderhuff delivers a mind-bending adventure that feels like flipping through the pages of a retro-futuristic comic book while riding a blues-rock rollercoaster. It’s audacious, thought-provoking, and undeniably fun.
For anyone who hasn’t yet jumped on the Spyderhuff train, now’s the time. They’re not just one of my favorite bands—they’re a band that redefines what it means to be both nostalgic and forward-thinking. And with “Future,” they prove that the best journeys are the ones where you have no idea where you’ll end up.
E.A. POETS APPROVED/BANDS WE LIKE – SPYDERHUFF
Good Day Noir Family,
Spyderhuff’s EP Everybody Needs a Dog kicks off with the track “Come Take the Bones,” instantly transporting listeners to a scene straight out of Walker, Texas Ranger. The gritty, desert atmosphere evokes images of renegades under the blazing sun, exposing the band’s deep roots in Americana. The song captures the essence of outlaw rock, tinged with folk influences, setting the tone for a journey through diverse musical landscapes.
The EP takes a swift turn with “Drag and Drop,” a groovier track laced with ’80s influences. It features a more upbeat, funky vibe before subtly returning to the desert rock flavor toward the end, especially in the bridge. It’s a track that showcases the band’s ability to shift moods while maintaining cohesion.
The title track, “Everybody Needs a Dog,” stands out as the highlight of the EP. The raw emotion in the vocal delivery is reminiscent of Johnny Cash’s Hurt, blending vulnerability with power. The haunting atmosphere, combined with guitar solos that carry a Knopfler-esque touch, creates a unique listening experience.
Closing the EP is “Future,” a bold and avant-garde track that starts with an almost tribal chant, only to morph into something entirely different. A voice, reminiscent of an oracle on a radio broadcast, narrates as the song unravels in unpredictable directions. The track’s visionary composition calls to mind the experimental nature of Pink Floyd, making it a song that demands multiple listens to catch all its nuances.
REVIEW: Spyderhuff – ‘Everybody Needs A Dog’
Posted on October 18, 2024
Over these last few years, Detroit-based outfit Spyderhuff have been busy refining their infectious psychedelic blues-rock aesthetic. Turning out a flurry of rich and enigmatic releases, all looking to build upon the foundations of what has come before, their tenure to date has been this wildly exploitative one that always manages to find something new and interesting in which to explore. And as they find themselves more settled within their direction than ever before, they return once again to deliver their stellar new EP ‘Everybody Needs A Dog’, a collection that places their unique perspective front and centre.
While these last few years have certainly been a great time for innovation and self-discovery, ‘Everybody Needs A Dog’ finds them in a far more ambitious and confident guise throughout. Blending these rich and alluring guitar grooves with a brilliantly absorbing atmosphere across all four tracks, their newest collection sees them deliver some of their more adventurous material to date. Keeping the momentum moving forward with this pulsing rhythm at every turn, Spyderhuff are certainly looking to make a serious mark with this one.
While plenty has already been said about their adventurous intentions over the years, ‘Everybody Needs A Dog’ shows there is still plenty of fresh and exciting ideas coursing through them right now. Brimming with such a flair for captivating textures from beginning to end, they remain one of the more passionate names currently rising through the ranks.
Spyderhuff – Everybody Needs A Dog EP
“Everybody Needs a Dog” is a new EP release by Spyderhuff, an excellent Detroit-based band. It’s their fifth extended play release and a second piece of work in 2024, arriving after “Gonna Build Me A Hot Rod,” another marvelous EP released earlier this year that you should immediately check out. Lyrically, this material explores different themes, including love, friendships, relationships, emotions, moods, situations, and circumstances. For example, “Come Take The Bones” talks about getting old and being exhausted while “Drag & Drop” criticizes social media angst. The title track deals with relationships and the healing nature of a loyal dog while, in the meantime, “Future” examines what the future might hold. These are highly relatable themes, so there are no doubts that the “Everybody Needs a Dog” EP will resonate with the broader auditorium. Soundwise, the band combined many different but complementary music genres to illustrate such rich and luxurious sonic imagery. Perhaps blues rock comes to mind first, but you’ll unquestionably notice many other sonic ingredients borrowed from traditional blues, hard rock, classic rock, and alternative rock. Spyderhuff uses all these elements as more than necessary enhancements, accentuations, decorations, and other details to uplift this material on an entirely new level while the band remains loyal to the primary sonic direction. Therefore, these experimentations with many different but complementary styles resulted in a marvelous release that will not only resonate with blues rock fans but with anyone even remotely interested in cleverly assembled and flawlessly performed rock music.
As soon as you press play, you’ll notice that these folks are not joking around with their music. Each composition arrives with a perfect structure adorned with intricate segments, brilliant ideas, and outstanding musicianship. Spyderhuff thoroughly planned everything, so you’ll notice nothing but a quality shining from this band. The guitars reign supreme from scratch to finish. You’ll notice how the interplay between rhythm and lead guitar articulate harmoniously, creating an adequate backdrop for all the vocals to shine upon. There are tastefully assembled and flawlessly performed riffs and chord progressions resonating on one side while the other experiments with various leads, themes, melodies, harmonies, and other sonic acrobatics. Spyderhuff not only experiment with their sound but also with the amount of distortion used in the guitar layers. Therefore, you’ll notice how the different guitar channels carry different amounts of distortion. From semi-distorted to generously fuzzy guitar works, this band showcases impressive versatility, making this marvelous music journey even more enjoyable. They continuously improvise, creating a nearly jazzy or prog-rock atmosphere at some points. Each composition has these moments, but “Come Take The Bones” perfectly exemplifies the experimental nature of this band. You’ll also notice some synth accentuations/improvisation and an adorable saxophone solo, further enhancing the listening experience.
“Drag & Drop” brings more blues rock to the table, with an energetic rhythmic pattern propelling all other instrumentations to new heights. This particular track carries a mid-eighties/early eighties blues rock atmosphere with all those marvelous riffs heavily drenched in reverb and soulful guitar solos pervading from all possible sides. In the meantime, the intricate, audible, warm-sounding low-ends lurk beneath all those guitar works, providing more than necessary heaviness, clarity, and depth while binding all those orchestrations together. The exceptional drumming keeps everything in line while dictating groove and pace with well-accentuated, tastefully assembled, and flawlessly performed beats, breaks, and fills. It would be a shame not to mention a soulful, passionate, confident, powerful vocal performance that decorates everything Spyderhuff intended to do with their music. The impressive vocal range seamlessly glides over low, mid, and high notes, emphasizing all those segments from scratch to finish. It’s also nearly mindblowing how the vocals and guitar pair together harmoniously, making this track such an outstanding listening experience worth revisiting over and over again.
The title track dives deep into the fundamentals of blues music, with its calm, soothing, relaxing, ethereal yet intense ambiance in some ways, tickling all the senses and listening apparatus. The percussions match those Southern rock chord progressions flawlessly, spicing things up and elevating everything on an entirely new level. You’ll notice how these guitars work also perfectly match another impressive vocal performance, elevated with outstanding back vocals and singalongs. The comprehensive collection of guitar solos, harmonies, melodies, and themes spices things up while the keys and basslines give more complexity to an already intricate composition. Like in their previous tracks, Spyderhuff incorporated some of the finest rhythmic sequences adorned with detailed percussions. The collection of beats, fills, and accentuations makes this track so catchy, that it will immediately become your go-to track whenever you need some perfect blues rock music. “Future” serves as a perfect closing track of this epic extended play release. It continuously levitates between blues and progressive rock, with its hypnotic vocal arrangements, complex guitar works, magnificent synths, intricate basslines, delicate percussions, and mindblowing drumming. Spyderhuff continuously levitates between the intricacy of progressive music and soulful blues-rock sonic maneuvers, demonstrating that these music genres can still sound fresh, unique, and innovative. It’s a perfect closing track that forces you to spin “Everybody Needs a Dog” all over again.
These experienced musicians created another masterpiece. “Everybody Needs a Dog” is one of those releases where experience, knowledge, skills, and talent collide harmoniously, delivering four exceptional tracks charged with soul, emotion, and power. Each song grabs you by the collar and refuses to let go long after this material ends. Therefore, you should place this marvelous EP on your music radar if you’re looking for cleverly assembled and flawlessly performed blues rock music. “Everybody Needs a Dog” is available on all streaming platforms. Don’t miss it!
By Cherine Aboulwafa, ROCKER ERA MAGAZINE
October 21, 2024
EP: Everybody Needs a Dog by Spyderhuff
Spyderhuff’s latest EP, Everybody Needs a Dog, is a gritty, soulful ride through the twists and turns of life, all wrapped up in a four-track package. Known for their swampy and psychedelic blues-rock, the band has truly found its groove with this release, creating a soundtrack that feels perfect for a nighttime road trip or a laid-back backyard barbecue.
With Everybody Needs a Dog, Spyderhuff offers genuine reflections on the ups and downs of the human experience. The EP touches on universal themes like growing older and feeling worn out in “Come Take the Bones,” navigating the pitfalls of social media in “Drag and Drop,” the heartbreak of broken relationships, and the steadfast comfort of a loyal pet in “Everybody Needs a Dog,” and a retro-futuristic take on what lies ahead in “Future.”
These tracks are more of a journey through life’s struggles and comforts, and the storytelling feels personal yet relatable. Spyderhuff’s Detroit roots are palpable in every note, blending their blues-rock foundation with rock ‘n’ roll spirit and a hint of Motown soul. With Tom Kuhr’s gritty vocals and multi-instrumental talent, Don Beyer’s bass grooves, Joey Gaydos Sr. and Jr.’s killer guitar work, Tony Mitchell’s rhythm on the congas and bongos, and James Carmichael Dooley’s drums, the band’s chemistry shines.
The EP is a raw yet polished testament to the band’s musical journey, with echoes of legends like The Black Keys, ZZ-Top, and Lou Reed. There’s something undeniably timeless about Spyderhuff’s sound, a quality that feels as familiar as old friends jamming together, and as exciting as discovering a fresh take on blues-rock.
In Everybody Needs a Dog, Spyderhuff celebrates life’s simple joys and inevitable hardships with a sound that is both nostalgic and forward-thinking, a nearly full-life journey in just one EP!
Spyderhuff – “Everybody Needs a Dog” Reviewed
October 19, 2024
One former U.S. president told reporters that it was precisely at the moment he moved into the White House that he realized that if he wanted to make any new, real friends in this capacity, he’d better get a dog.
Now, the majority of us reading this text have not been presidents of a nation. But I’m confident we understand the sense of disenchantment and disappointment well. Why do we even experience listening to a new pop record or going online, things that used to thrill us? Everyone’s desperate to sell something fast, and nobody has the time to ask us what we need.
In many ways, the swampy psychedelic blues that Spyderhuff employs on “Everybody Needs a Dog” is a soundtrack for the times. It’s music for a world that could certainly be worse; it couldn’t be any more boring and inauthentic. Yeah, if you need a friend, you better get a dog.
The EP opens with “Come Take the Bones,” a song that could just as well be about the End of Days, an event for which the singer seems almost giddy. The song opens with a muddy slide guitar before opening up and revealing an interior made up of elements borrowed from classic rock and early 70s psychedelia.
And, indeed, if there’s a common denominator to the songs on this EP, it’s the willingness to play deliberately and slowly here. It’s not exactly jam-rock material, but Spyderhuff isn’t rushing in and out of pop song hooks, either.
There are more lead guitar heroics on “Drag and Drop,” a song about our increasing overreliance on big tech to keep us informed and entertained. The anguished singing here does a good job of capturing the feeling of absolute burnout with social media culture.
Meanwhile, “Future” features a jazzy rhythm section and vocal phrasing that resembles the rambling of a television game show host. There’s humour to this, sure, but the vision is bleak. The future resembles the darker moments of our collective past, and that can’t make you smile.
Finally, what’s left? Just doom and gloom? That, sure. But loyalty and love, too. On the title track, a blues ballad, the songwriter comes out heart in hand and looking for a safe, new home.
There are plenty of reasons to sing the blues. It’s always been this way, and maybe the worse is that things don’t look like they’re going to get better. For all that bitterness and some of the hope remaining as well, Spyderhuff delivers a soundtrack.
E.A. POETS APPROVED/BANDS WE LIKE – SPYDERHUFF
Good Day Noir Family,
Spyderhuff strikes gold again with their latest single, “Wichita Lineman.”
The song opens with a lone guitar line that stretches out like an endless expanse, instantly painting a vast musical landscape. It’s a masterful introduction that sets the stage for a journey into blue-collar poetry.
The track crackles with electricity – both literal, mirroring the lineman’s work, and musical, thanks to the electrifying guitar work.
The melody itself is a marvel, perfectly complementing the lyrics. Vocals echo and shimmer, underscored by a subtle slide guitar effect that injects a touch of melancholy.
Then, the unexpected happens – a chorus explodes with soaring female backing vocals, further amplifying the song’s evocative power. It’s a brilliant move, adding another layer of depth to this already intriguing sound.
“Wichita Lineman” is a sonic blend with threads of David Bowie’s glam theatricality, Lou Reed’s raw energy, and a healthy dose of Mark Knopfler’s signature Dire Straits guitar work.
Intense and evocative, “Wichita Lineman” is a song that will give you an intense experience.
Jimmy Webb who wrote Wichita Lineman was driving on a lonesome stretch of highway in Oklahoma and spotted a lineman all by himself working high on a telephone pole. Jimmy was later quoted as saying, “This song is not just about a lineman. It is about anyone who can think about other things while they work—a truck driver, for example, or a farmworker. It is a song about an ordinary person who has extraordinary thoughts.”
Spyderhuff members are Tom Kuhr (vocals, guitar, harmonica, sax, synth), Don Beyer (bass, synth), Jim Pauli (drums), Joey Gaydos (guitar), Tony Mitchell (congas, bongos, drums, backing vocals), and Julie Savoy (backing vocals).
By Jeremy Bregman
Spyderhuff Powerfully Transform the Classic Tune ‘Wichita Lineman’
Once again I am grateful to fellow writer Gabriel for introducing me to the swampy and psychedelic blues-rock sounds of Detroit-based act Spyderhuff. He has covered them extensively in the past, and today I am honoured to share with you ‘Wichita Lineman’, the band’s reimagined version of Glen Campbell’s classic tune. Written for the singer/songwriter by Jimmy Webb, it’s a track that Bob Dylan labelled as “the greatest song ever written”. So, no pressure whatsoever in trying to cover it then…
Staying true to the loneliness and open space of the song that originally captured audiences, Spyderhuff infuses its gritty and bluesy touch into proceedings. It’s a powerful transformation and a deeply moving homage that undoubtedly stands out on its own merits. Hauntingly beautiful and evocative, it redefines the emotional depth of the original in the best possible way.
“It’s always a real challenge to take on a classic such as this,” admits the band. And I’ve previously spoken of the inherent risk of pulling off a successful cover. But Spyderhuff has knocked this one out of the park. Seizing the challenge with the greatest of skill, they have created a cover that is both innovative and respectful. Just superb!
By Daniel
Spyderhuff Revitalizes Rock Classic “Wichita Lineman” With Soulful Elegance And Modern Flair
On June 7th, 2024, Spyderhuff made public their highly awaited rendition of the iconic song “Wichita Lineman,” which was originally written by Jimmy Webb. The band’s ability to modernize classic songs is demonstrated by this track. “Wichita Lineman” is not just another cover; rather, it’s a reworking that incorporates Spyderhuff’s unique style while retaining the spirit of the original. The band’s rendition of the song captures the unique feeling of openness and loneliness while depicting the lone lineman operating above earth. Spyderhuff entices listeners to experience a sound trip that is simultaneously nostalgic and pleasantly novel with their elaborate arrangement and passionate performance.
Being a music enthusiast, I always approach classic song covers with a mixture of excitement and apprehension. I was curious to hear that Spyderhuff, a band with a long history in Detroit’s music scene, was releasing their rendition of “Wichita Lineman.” I always had a soft spot for this song, which was written by Jimmy Webb in the beginning and was popularly performed by Glen Campbell. In a way that few songs can, it encapsulates the spirit of isolation and the silent dignity of work. I put Spyderhuff’s performance on repeat, expecting the best, and what I got was just incredible.
Spyderhuff’s version captured my attention from the opening chords. A reflective tone is established by the gentle yet rich opening guitar chords. They produced a vast auditory world that seemed both familiar and novel when paired with elongated synth noises. Rich, reverberating tones of the bass guitar overwhelmed me as soon as it joined in. The expertly constructed sequence that began at 0:15 and ended at 0:19 set the tone for the rest of the song.
I was completely engrossed in the song’s vibe by the time the drums started at 0:21. The mellow and captivating midtempo rhythm was created by the combination of the resonant bass, the smooth guitar strings, and the soft drum beat. The track’s dynamic flow was gradually introduced by the piano, which was infused with subtle synth movements. The way the instruments interacted demonstrated Spyderhuff’s skill as a musician and produced a sound that was both cool and funky, ideal for a contemplative soft rock song.
Another standout feature of the song was Tom Kuhr’s vocals. His soft, endearing voice skillfully and elegantly conveyed the words. His rendition, which aptly conveyed the lineman’s sense of solitude and introspection, profoundly impacted me. His voice had a strong emotion that intensified with every second, bringing the song’s story to life in a way that was both incredibly relatable and poignant. Kuhr’s rendition of the song was flawless, perfectly capturing its essence with a tangible sense of genuineness.
The more the song carried on, the more I was astounded by the intricate instrumental arrangements. There was flawless layering, composition, and timing. Each instrument’s contribution to the piece’s overall beauty was astounding to witness as it was played together. Between 2:09 and 2:30, there was a very impressive crescendo in the guitar performance. The music reached new heights in this passage, and I was amazed at the level of creativity exhibited by the riffs.
The song gained even more charm from Julie Savoy’s accompanying vocals. Her voice, tasteful and melodic, was the ideal foil for Kuhr’s lead vocals. This collaboration gave the song a richness and depth that increased its emotional effect. I found the harmonic blend created by the masterful balancing of the male and female vocals to be really moving. Savoy made a delicate yet impactful addition that elevated the track’s overall vibe with a hint of grace.
Towards the end of the song, the guitar riffs became even more pronounced, creating a reverie that was truly a work of art. Each note was carefully crafted, each riff meticulously executed, bringing the song to a satisfying and emotionally charged conclusion. This attention to detail, this dedication to excellence, was evident in every aspect of the track. Spyderhuff managed to stay true to the original while infusing it with their unique style, creating a rendition that was both respectful and innovative.
Spyderhuff’s rendition of “Wichita Lineman” is outstanding. It presents a new, independent version that stays true to the spirit of the original while yet being distinctly modern. A song that is both nostalgic and fresh is produced by the band’s combination of rich arrangements, emotional performances, and deep musical origins. This is a song that should not be missed by everyone who like soulful music. Not only has Spyderhuff paid tribute to a classic, but he has also given it fresh vitality, beckoning listeners to experience an exquisite and thought-provoking audio voyage.
By Moataz Gwaily, ROCKER ERA MAGAZINE
June 10, 2024
Wichita Lineman by Spyderhuff
Spyderhuff’s treatment of the pop classic ‘Wichita Lineman’ is calculated and delightful. A faithful and passionate recreation, Spyderhuff is ready to put Jimmy Webb and Glen Campbell’s beloved classic in the limelight once again.
A group of veteran musicians hailing from Detroit, Michigan, Spyderhuff are led by Tom Kuhr, accompanied by a 5-piece ensemble. The sound coming from Spyderhuff is uniformly warm, weighted, and rich. On ‘Wichita Lineman’, the song’s repeated gentle explosion into the instrumental chorus is a clear showcase of the ensemble’s graceful musicianship.
A blazing solo also makes an appearance on this country rock cover of a timeless pop classic, courtesy of Joey Gaydos and his deliciously overdriven tone. The vocal chemistry between Kuhr’s lead vocals and the lush responses from Julie Savoy is another sign of the delightful musicianship flowing through this group of players, and the tight rhythm section, transforming this piece from a lighthearted pop tune to an anthem for the highway is the cherry on top.
Spyderhuff’s ‘Wichita Lineman’ is a passionate recreation that pays great respects to the original, by taking it somewhere totally different, while retaining the song’s harmonic and melodic DNA at hand. A beautiful piece in its own right, standing confidently on its own two feet.
By Faithfulness
Spyderhuff Unveils ‘Just Sit There’: An Evocative And Mesmerizing Exploration Of Dealing With Criticism
Hailing from the heart of Detroit, Spyderhuff emerges as a swampy and psychedelic blues-rock band deeply entrenched in Motor City’s musical legacy. Comprising Tom Kuhr, Don Beyer, Jim Pauli, Joey Gaydos, Tony Mitchell, and Julie Noe, Spyderhuff is a collective of lifelong friends whose musical journey traces back to the late 60s and early 70s. With a penchant for bending and shaping musical genres akin to the metal forged in Motown, Spyderhuff pays homage to the unsung heroes of Detroit’s automotive history, epitomized by Ed ‘Spider’ Huff.
“Just Sit There” by Spyderhuff, dropped on April 26th, 2024, and it is an enthralling musical experience that goes beyond typical genre and style limitations. Beginning with eerie initial sounds and continuing with a steady drum rhythm and expressive singing, the song engulfs the audience in a realm of self-reflection and deep thought. The introduction of the song creates an atmosphere with its eerie sound, like a far-off echo bouncing around in the hallways of remembrance. This eerie motif transitions swiftly into a steady drum rhythm, setting the tempo of the song and driving it forward with unstoppable force. While the drumbeat leads, the eerie sound still winds its way through the composition, enhancing the depth and mystery.
The unique vocal delivery in “Just Sit There” is one of the most noticeable features of the song. Instead of adhering to conventional singing styles, the vocals take on a relaxed and speaking approach, as if the singer is having a direct conversation with the listener. This method gives the song a sense of realness and closeness, capturing the listener’s attention and encouraging them to connect with the storyline more profoundly.
In terms of its musical execution, “Just Sit There” demonstrates a high level of self-control and accuracy. The drums establish a strong base, propelling the beat with resolute commitment. At the same time, the guitar and other instruments intertwine complex melodies and textures with the vocals, forming a vibrant and diverse sound environment.
As the song continues, it becomes evident that “Just Sit There” is not only a musical composition, but also a reflection on the state of being human. The lyrics delve into topics of critique and introspection, capturing the common struggle of dealing with the back seat drivers in our lives. The song serves as a reminder that criticism is an integral aspect of being human, whether we are receiving or giving it, and there is no simple way to avoid it.
During its entire duration, “Just Sit There” keeps a fragile equilibrium between tension and release, gaining momentum as time goes by. The musical arrangement fluctuates like the tides, reflecting the emotional progression of the song’s story. Spyderhuff’s ability as musicians and storytellers is showcased by their skill in maintaining tension and holding the listener’s attention throughout the entire performance.
In summary, “Just Sit There” demonstrates Spyderhuff’s talent and originality as a band, making it a standout piece of music. Music has the ability to touch and motivate us, showing that amid tough times, there is still something beautiful to discover. Make sure you don’t pass up the opportunity to uncover this hidden musical treasure and accompany Spyderhuff on their journey through the human condition. Go to your preferred music streaming service immediately and listen to “Just Sit There” – you won’t be let down.
By Ritikamudabidri, Sinusoidal Music
‘Just Sit There’: Spyderhuff’s Blues-y Road-Trip Pins the Listener
Spyderhuff’s ‘Just Sit There’ is a Blues-y road-trip tune that uses its kinetic soundscape to pin their listeners in their seats while the melody swoops past them.
The rhythm trots by the listener, moving along with looping guitars and drums.The vocals punctuate this groove while being reminiscent of a guided audio track. This crunching vocal with interludes of galloping congos, cascading piano melodies and riffing guitars, helps the instruments glide by the listener.
‘Just Sit There’ pictures its listeners in their car, on a long road-trip. The song’s spoken-word guide moving them through its swing.
The movement in the song seems to take place around the listener, its soundscape surrounding them and almost pinning them in place. The listener is the focal point, the center over which looping, circular melodies are drawn. The lines “If you wanna get there// Just Sit There” highlight this.
The song’s subtle storytelling deeply immerses the listener by the halfway mark.
The piano adds a lightness to the song while the guitars cut through with sharp riffs followed by the guided vocal track. The vocal seems to add more layers to the song’s narrative, though the song mostly remains an instrumental experience.
Sypderhuff attempts to pay homage to their jazz-fusion roots by seemingly allowing the musicians play when they saw fit. Every bar introduces a variation of some sort, plunging the listener into its gliding auditory experience. Something about the impromptu nature of the sound manages to keep the melodies engaging and the mood grounded throughout.
Spyderhuff is a Detroit-based genre bending rock band. Their members started their careers playing with bands that dabbled in various genres like jazz-fusion and hard rock.
By Gabriel Mazza
Spyderhuff Return with Visionary Effort ‘Just Sit There’
Introduced by a slow-burn, galloping drum groove and noisy textures, ‘Just Sit There’ gradually evolves into an underrated, groovy blues gem, always keeping distortions in check and empowering sampled spoken vocals. A peculiar musical recipe that’s pretty striking next to steel guitars and poignant piano parts… Spyderhuff are like that – they like to explore.
Engaging in their visionary artistic flair, the American band sets out on an instrumental journey that truly hits the mark, hypnotising the listeners with a faux soundtrack which is slightly nostalgic, certainly elegant and pretty reflective. Treated with light psychedelic tones and a touch of Americana charisma, ‘Just Sit There’ might be one of our favourite efforts by Tom Kuhr and the band so far.
Speaking about the inspiration behind the track, Spyderhuff explain: “It expresses the universal experience that is created by the “back seat driver” in all their shapes and forms…no matter where they may sit in the vehicle. Whether you’re eating it or dishing it out, driver criticism will continue to be part of the human condition with no available exit ramp”.
E.A. POETS APPROVED/BANDS WE LIKE – SPYDERHUFF
Just Sit There is Spyderhuff’s Single Out Now
Good Day Noir Family,
Get ready to hit the open road with Spyderhuff’s infectious new single, “Just Sit There.”
The song’s rhythmic pulse is contagious, practically begging you to jump in your car and explore the world, just like the accompanying video. Spyderhuff channels the spirit of Moby with layers of keyboards that intertwine with a bluesy guitar line. But the band doesn’t stop there. A futuristic spoken word element emerges, adding another layer to this sonic vision.
This genre-bending blend is exhilarating. A “futuristic alternative blues” that perfectly captures the band’s kaleidoscopic artistic vision. The accompanying video is a perfect visual extension of the song’s mood. Simple yet captivating, it evokes the feeling of cruising alongside a mysterious woman.
This dreamlike quality is perfectly in sync with the music’s mesmerizing vibe.
“Just Sit There” is an invitation to an adventure. Spyderhuff has crafted a sonic experience that’s familiar and unique, urging you to loosen your grip on reality and embrace the unknown. Get in, buckle up, and prepare to be transported.
By Somrudra Das
Spyderhuff’s The Rhythm King Is a Finely Composed, Groovy, and Engaging Psychedelic Rock Song That Captivates You Within Seconds
Get ready to lose yourself into the groovy, atmospheric composition that the latest single by Spyderhuff, The Rhythm King offers. It is indeed a song that hooks keen listeners within seconds and that is why you must check it out. Most of the band members having grown up together in Detroit, the United States of America, we can easily say that this band traces it’s origin to that place comprising of some of the prolific musicians such as, Tom Kuhr on vocals, saxophone, guitar, keyboard and synth, Joey Gaydos on guitar, Jim Pauli on drums, Tony Mitchell on percussion, drums and backing vocals with Julie Noe exclusively responsible for the backing vocals.
Let us find out what this track offers the listeners with its captivating soundscape!
The Rhythm King, Spyderhuff’s latest single will catch your attention and make you groove and shake your head with its trippy, engaging bass line and the beats that fall right in the pockets of the overall composition. The song has a typical psychedelic trance vibe about it and you cannot help but lose yourself entirely to this masterpiece of a soundscape that gradually builds up, goes down, and builds up again with the tight rhythm section, amazing vocals and superbly played guitar parts. If you are a lover of psychedelic rock music, then this is the track you need to listen to.
E.A. POETS APPROVED/BANDS WE LIKE – SPYDERHUFF
The Rhythm King is Spyderhuff’s Single Out Now
Good Day Noir Family,
Spyderhuff’s latest single, “The Rhythm King,” unveils a mysterious and captivating journey from its very first bass line.
The band masterfully sets the stage for an immersive experience, drawing listeners into a world where each note and sound plays a pivotal role in shaping the song’s mood and narrative. One of the most striking aspects of “The Rhythm King” is the band’s ingenious use of instruments and sounds. The bass line establishes a haunting ambiance that serves as a foundation for the entire composition.
As the song progresses, the contrast between the deep, resonant tones of the bass and the sharp, high frequencies of the distorted guitar creates a cool sonic landscape that keeps the listener engaged throughout. Central to the song’s mood is the vocal delivery, the interpretation is executed with finesse, adding layers of depth and emotion to the already compelling instrumentation.
What truly sets “The Rhythm King” apart is its impeccable sound design. The song is a sequence of meticulously crafted elements, each one interwoven to create a rich musical landscape. From the haunting wail of the harmonica to the electrifying guitar riffs every detail contributes to the song’s overall impact.
The Rhythm King is Spyderhuff’s Single Out Now!
The Rhythm King by Spyderhuff
By Hamza Sharkas
February 5, 2024
Detroit-based blues-rock band with roots in the late 60s and early 70s “Spyderhuff” released their latest single “The Rhythm King”…a modern take on blues, shaking things up with a unique flavor that could only be found in Spyderhuff’s songs…
“The Rhythm King” also drops with a music video that elevates the overall experience even more…
…the song has very unique bluesy vibes not found elsewhere, from the unique vocal performance and cadence to the electric guitar tone…
“The Rhythm King” is both bluesy and heavy, mellow and hard-hitting…it’s got a unique musical contrast that transcends genres, which makes the experience extremely unique and memorable.
The music video has some old-time-y shots that take you on a ride through a race track and some vintage cars footage…it’s a unique and interesting visual trip.
Make sure to check out Spyderhuff’s latest “The Rhythm King” and follow the band for more unique musical and lyrical experiences.
Wishing all the best to Spyderhuff.
Cheers!
Gonna Build Me a Hot Rod by Spyderhuff
By Hazem Mahani
December 1, 2023
Teasing their upcoming 4 song EP, The Detroit-based rockers Spyderhuff are dropping its title track Gonna Build Me A Hot Rod on the 1st of December 2023, a special treat for all bluesy riffs and fluid grooves lovers out there. Let me tell you more about it.
Spyderhuff’s playful, fun sound pops up right from the way they opened Gonna Build Me A Hot Rod, building up into a blasting old-school rock n roll verse. Their open sound and extremely groovy riffs boost the listeners’ energy, creating unforgettable hooks with wild guitar work and a powerful catchy vocal melody. Gonna Build Me A Hot Rod has a bluesy classic sound and an exciting rocking attitude that keeps the energy going creating some engaging singalong parts that would sound awesome when played live, all within a laidback irresistible structure with moving ups and downs that kept their organic flow going.
Spyderhuff offers some awesome blues rock riffs on Gonna Build Me A Hot Rod with cool solos and licks thrown here and there, clearly showing their musicianship and well-knowledge of their mood and sound. They managed to create a solid uncompromised upbeat flow that’s enjoyable for a wide range of audiences. Looking forward to more from Spyderhuff, keep on rocking guys. Cheers!
By Gabriel Mazza
Spyderhuff Returns with Classic Rock’n’Roll Gem ‘Gonna Build Me a Hot Rod’
Fierce, energetic and inherently old school: ‘Gonna Build Me a Hot Rod’ is an absolute treasure, taking us back to the glorious rock’n’roll era. Built over fierce guitar riffing and anthemic half-tempo drum grooves, the record is a slice of wholesomeness and catchy energy, penned by the experienced songwriting head of Spyderhuff.
Hailing from Detroit, the talented singer and guitarist has been quite active in the past few years, showcasing his commitment to friendly music that’s easily digestible, yet nuanced enough to provide a vibrant listening experience. ‘Gonna Build Me a Hot Rod’ follows the same script, this time with an even more edgy and sassy character. Spyderhuff’s gritty and charming vocals close the deal.
The American rocker explains the inspiration behind the record: “It’s expressive of the many home-grown builders and makers that live outside of the box. This song is dedicated to the spirit of hot rodding in all its forms. The vibe is anthemic and upbeat with a classic rock/blues-rock feel.” Look out for an upcoming EP, expected in 2024.
Recommended! Discover ‘Gonna Build Me a Hot Rod’ on Spotify and Youtube.
By Mohit Bagur
“Gonna Build Me A Hot Rod”, by Spyderhuff: Beautifully executed thematic blues-rock
Spyderhuff is a musical group featuring Tom Kuhr, Don Beyer, Jim Pauli, Joey Gaydos, Tony Mitchell, and Julie Noe. Hailing from the Detroit area, they seamlessly blend rock ‘n’ roll with blues, garnering praise for their innovative sound. With roots dating back to the 60s and 70s, the band’s name pays homage to Ed ‘Spider’ Huff, an unsung hero in automotive history, symbolizing their commitment to crafting unique musical journeys. On their latest single, “Gonna Build Me A Hot Rod”, what are they able to pull off? Keep reading for my thoughts!
The hot rod movement has been a defining factor in American automotive industry way since the 1960s, and “Gonna Build Me A Hot Rod”, is a thematic tribute to that movement, all packaged in a classic rock tune that would take you back to the 1970s in a heartbeat. From the intro with the gated guitars to the proud drum fill intro, the background of the sound remains filled with ear candy not atypical to what one would hear in classic cars, which is something that I quite liked.
As the song proceeds, there is a steady, slow drum beat that holds all the frontmen in sync as the clean guitars develop, and the vocals soar, until eventually, the rhythm guitars ring out loud and proud with that distinctive American country rock wah in the pedal– and it makes for a great listening experience in my opinion.
The production is very distinctly Americana, with funky bass tones, screaming guitar solo parts, and a focus on clean, sung vocals complemented beautifully by the rest of the ensemble; and a solid mix and master makes sure that all the parts of “Gonna Build Me A Hot Rod” are audible loud and clear.
In conclusion, “Gonna Build Me A Hot Rod”, by Spyderhuff is a great musical tribute to a movement that has shaped the course of American, and to comparable extents, the world’s automotive history, and Spyderhuff are immediately cooler in my book for their well-executed attempt. Check out the song here!
E.A. POETS APPROVED/BANDS WE LIKE – SPYDERHUFF
Sympathy for the Devil (Cover) is Spyderhuff’s Single Out Now
Good Day Noir Family,
Today this band amazes us with the cover of a legendary song by the Rolling Stones…Sympathy for the Devil.
It’s risky for a band to try and reinvent such a popular song. If you don’t do a good job, you get a lot of criticism. Luckily Spyderhuff knows what they’re doing. They have in fact managed to honor this tune. Primarily because they are great musicians… this has allowed them to give a solid performance. The thing I liked the most is that they made it more refined than the original by introducing fewer rock nuances. A vision aimed at creating a slightly different atmosphere and bringing this song closer to the world of Spyderhuff. In my opinion, they did a fantastic job as I was fascinated by their reinterpretation and the voice of the singer didn’t make me regret Mick Jagger’s.
Sympathy for the Devil by Spyderhuff
By Hazem Mahani
March 24, 2023
Detroit-based rockers Spyderhuff are back with the 8th song of their seven deadly sins-themed EP SIN7. Putting their mark on one of rock n roll’s classics, Spyderhuff decided to give the Rolling Stones‘ Sympathy for the Devil a twist. So let me tell you how it goes.
Spyderhuff shook things up a bit in their take on Sympathy for the Devil, they boosted its sound to a bigger, guitar-driven one that turned it into a completely different song. The energetic drumming, rocking guitar licks, and groovy riffs added an entertaining dynamic layer to the song’s flow, while that powerful vocal delivery and crunchy bass added a touch of heaviness. Spyderhuff paid tribute to the original song by playing around its significant percussions and while almost everything else, all in a neat bright production that elevated the song’s dynamics and gave it a bigger brighter sound reflecting their own character and direction.
Sympathy for the Devil shows Spyderhuff‘s dedication to creating their own sound and vision. Covering such a classic is a risky move that they boldly took, tweaking and steering everything in their way to serve their will and fulfill their end goal resulting in a unique sounding experience that adds to the original song. I’m always looking forward to more from Spyderhuff, keep on rocking guys. Cheers!
The More That I Get – Greed by Spyderhuff
By Hazem Mahani
March 24, 2023
Completing their SIN7 series that revolves around the seven deadly sins, the power group Spyderhuff are dropping their single The More That I Get – Greed on the 24th of March, 2023. Featuring Tom Kuhr (lead vocals/synth/banjo), Joey Gaydos Sr. (guitars), Joey Gaydos Jr. (keyboards), Don Beyer (bass/keyboards), Tony Mitchell (backing vocals/congas), Julie Noe (backing vocals), and lyricist Janet Swanson, you’re in for a musical journey that’ll leave you putting it on repeat. Let me tell you more about it.
Spyderhuff opened The More That I Get – Greed with a psychedelic bluesy Pink Floyd-ish intro that set the mood’s footprint. The More That I Get – Greed has some insanely good guitar work, with licks and shredding solos flying everywhere, and a KILLER groove that makes you want it to keep going forever! The vocal melody is so intimidating and in mood and those vocal harmonies were beautifully hypnotizing, the vocal’s fluidity went along perfectly with the organic, improvisational guitar work, and the spacey atmospheric effects made their sound even more significant and more profound. Spyderhuff created a really clever and catchy structure, it feels like an unstoppable flow with dynamic enjoyable twists and turns that were well-written and arranged.
Spyderhuff shows off their fantastic writing skills and musicianship in The More That I Get – Greed. It’s a solid progressive tune with psychedelic influences and loads of eargasmic bluesy guitars, all within a groovy energetic structure that grabs the listener’s full attention. Will definitely be looking forward to more from Spyderhuff, keep on rocking guys. Cheers
Track Review: The More That I Get // Spyderhuff
24th March 2023 by Nicole Mendes
So, who is Spyderhuff? If you don’t know by now, it’s almost shocking you could miss such an inspiring band. Then again, by discovering them you are about to enjoy something spectacular! Formed by veteran musicians from Detroit, the band members each have unique perspectives with experiences in bands from hard rock to jazz. Drawing these experiences together, Spyderhuff brings an obscurity and eclecticism to modern-day music. Bending, warping, twisting, turning, wrapping around an unusual note – this is what US-based band Spyderhuff do to musical genres. The latest addition to their discography is the single ‘The More That I Get’.
The 7th single as part of their SIN7 collection – 7 songs representing the 7 Deadly Sins – ‘The More That I Get’ explores greed. As with the preceding track ‘The Mirror’, ‘The More That I Get’ finds a balance between blues rock and classic rock. A signature blues rock tone exists but, I don’t know, this song feels slightly heavier to me. The forceful guitars blast through the arrangement with an inimitable guitar solo. Interestingly enough, while there is a strong guitar-driven feel to ‘The More That I Get’, the instrument blends in with drums, bass and keys creating a mellifluous foundation for Tom Kuhr’s vocals.
As modern bands attempt to recreate the blues rock sound of yesteryear, and many do, Spyderhuff effortlessly intoxicates us with this iconic style. Sophisticated and elegant, their music grabs hold of your heart in style. The thing is, while sophistication is clear in ‘The More That I Get’, a grittiness slithers through in the gruff (albeit warm) vocals. The instrumentation has a charm embracing you in a groovy vibe; however, it also pushes you about with the rock heaviness.
Needless to say, the song has something special with its forcefulness. Yet, it is the lyricism and concept that pushes it to the fore. Just as Chaucer described greed as “the root of all evil” and David Klemm noted it is “a window-shopping of the soul in which I lose myself in desires for goods.”, Spyderhuff’s ‘The More That I Get’ intoxicates us lending to losing our souls in ‘The More That I Get’. I mean, not that we’re falling under the spell of greed as a sin but the swirl of expression. Thinking about it, is it greedy for me to say I want more of Spyderhuff?
Spyderhuff is set to release their Truly incredible funky single
13 March 2023|Music, Podcast, Review
Spyderhuff's "The More That I Get" is a groovy and rocking song about how the desire for money can become an addiction and how tough it can be to resist it. The song blends several styles, including blues-rock and a deep, funky Detroit rhythm, and it has distinct vocals and strong musical instruments that work well together.
The seventh single in the SIN7 series, "The More That I Get," is scheduled for release on March 24, 2023. Featuring Tony Mitchell (backing vocals, congas), Julie Noe (backing vocals), Janet Swanson (backing vocals), Joey Gaydos Sr. (guitars), Joey Gaydos Jr. (keyboards), Don Beyer (bass, keyboards), Tom Kuhr (lead vocals, synth, banjo), and Joey Gaydos (lyrics). The funky and rocking song "The More That I Get" will undoubtedly grab listeners' attention. The song begins with an electric guitar playing its best opening note, followed by steady, slow-paced percussion that gives it a funky feel. The beat features a fantastic bassline, and the production is excellent.
The vocals in this song are distinctive and strong, and they mesh well with the musical instruments. When the chorus enters, the song's beats change to a faster tempo, causing listeners to dance while taking in the lovely plot. The song's reliability is impressive. Everybody wants money and a comfortable life, but sometimes the desire for money can become an obsession. Many people can identify with Spyderhuff's account of how difficult it can be to overcome an addiction to money and material possessions.
The song "The More That I Get" combines a variety of styles and cuts a dark, blues-rock groove with a deep, funky Detroit groove. The next generation of Joey Gaydos Jr. from the film "The School of Rock" is among the Detroit rock and roll scene's veterans who handcrafted the piece. The lyrics tell a tale of greed that is not exclusive to obnoxious, wealthy individuals. Anyone can be greedy, after all.
In the end, "The More That I Get" is a superb song that brilliantly displays Spyderhuff's musical talent. Anyone who likes funk and rock music mixed together and is looking for motivation to overcome their addiction to wealth must listen to this song. Since Spyderhuff is such a gifted group, we can only anticipate more fantastic music from them.
SPYDERHUFF – THE MORE THAT I GET
Music reviews /
Here at the Send Me Your Ears studio today, we’ve been listening to the latest single from one of our favourites, Spyderhuff. We’ve listened with interest as they’ve released singles from their SIN7 series of tracks, taking us through wrath, pride and more, and with this track, The More That I Get, the band reflect on Greed. The More That I get is released today, 24th March 2023, and this superb Detroit-based band have pulled it out of the park again with another highly infectious earworm!
The More That I Get focuses on greed and points out to the listener that it’s not just rich people that can be greedy – anyone can! There is some cool stereo and panning in the introduction, and an almost trip-hop-like drumbeat leads the way over a bluesy/funky electric guitar solo that just oozes attitude and confidence.
Heavily panned layered vocals fill the soundscape at one point, leading to a male vocal that sits clearly in the mix. The accompanying lyric video is superb and shows how Spyderhuff are constantly considering every aspect of their presentation and not just creating great music!
The rise and fall within this track is done well, and there are some fun stops with panned instruments and vocals, and throughout the track, there is always something vying for your attention.
The guitar soloing is sooo funky!! We loved this, and the deep strutting bass keeps everything moving along. If you’re not slow-nodding to this one, we’re not sure why!! This is super-cool infectious music.
The More That I Get is a great soundscape and perhaps more of an album track than some of their previous work. It is a song that we would highly recommend Spyderhuff seek out sync opportunities for, with a view to being placed in a movie or TV show to help increase the band’s fanbase.
With a long fade out, this is a song that you can just sit and mellow out to.
We are constantly impressed with the creativity and musicianship of Spyderhuff. This latest single is a Detroit-groove fan’s idea of heaven and one which will stick with its listeners for quite some time to come. A great funky earworm!
Spyderhuff, Alba James, Chuck Phillips, and Harry Kappen News
13 March 2023|MUSIC, NEWS, Podcast, Review
Spyderhuff's "The More That I Get" is a Groovy, Bluesy Tale of Greed
Spyderhuff's "The More That I Get - Greed" is an electrifying masterpiece that blends blues-rock with a deep funky Detroit groove. The single is the seventh in the SIN7 series about the Seven Deadly Sins, featuring an all-star cast of Detroit veterans and the next generation, including Joey Gaydos Jr. from the movie 'The School of Rock'.
The lyrics of the track explore the theme of greed, reminding us that anyone can be greedy, not just the rich. The smooth vocals of Tom Kuhr, backed by Tony Mitchell and Julie Noe, bring out the story in a compelling and engaging way.
The tune's strength lies in its ability to evoke different musical styles such as blues-rock, funk, rhythm and blues, soft rock, classic rock, AOR (Adult Orientated Rock), and art rock, giving it a unique and classic sound that listeners will appreciate.
"The More That I Get - Greed" is a well-crafted song with a classic sound that will undoubtedly leave listeners in awe. The Artist and the Band deserve praise for delivering a track that stands out in the current music scene. This is a song that music lovers will want to listen to over and over again, and the Artist should be proud of this accomplishment.
Spyderhuff – The Mirror (2022)
January 3, 2023
By Claudia Mendes
Featured on notable music publications across the globe, US-based six-piece Spyderhuff has been described as “a beautiful balance between rock ‘n’ roll and the spiritful blues” (Rock Era Magazine), “…a band [that] always manages to create visions in your head that make you forget the reality around you” (Edgar Allan Poets), and “…the cream of the crop” (Send Me Your Ears). While the musicians grew up together in Detroit, Spyderhuff is actually a remote recording band spread out across the United States showing that you don’t necessarily need to be in the same place to create fantastic music. The latest addition to their discography is the single ‘The Mirror’.
The sixth single in their series SIN7, ‘The Mirror’ follows the tracks ‘Never Am I Full’ and ‘What You Have’ – both looking at two of the Seven Deadly Sins. Moving on from envy and gluttony, ‘The Mirror’ touches on pride with it being, as John Climacus notes in The Ladder of Divine Ascent, the “most demonic sin”. Interestingly enough, pride can be viewed as a virtue making one proud of their role in society, but it also aligns with the destructive force of self-obsessed idealism. Spyderhuff takes a glance at the latter notion.
As with ‘Never Am I Full’, Spyderhuff fuses old-school blues-rock with jazz tones in ‘The Mirror’. While a distinctive sound that is completely Spyderhuff oozes through in the toe-tapping arrangement, there are leanings towards the iconic Muddy Waters throughout the song. A tinge of country traipses across the song in a light-hearted banjo meets drum tone; however, the gruff vocals and dynamic guitars bring that smooth blues through in ‘The Mirror’.
One element I truly love about Spyderhuff is the true passion shining in their rugged, raw material. Yet, while a rough side exists in ‘The Mirror’, a sophisticated flow and soothing quality belie the grittiness of the melody. It is this balance of gentle and mellifluous with rough unrestraint that makes Spyderhuff something unique.
By Freddie Mckee
SPYDERHUFF - The Mirror - Pride - LATEST RELEASE
Detroit, United States
Spyderhuff are back, on the conquest of rock, blues and soul, with the 6th entry in their SIN7 project, ‘The Mirror - Pride’. It's a single that oozes attitude and harmony, Americana dripping from its well-fitted bluegrass tux. Spyderhuff are going all out with SIN7 and ‘The Mirror - Pride’ is no exception, it's incredibly arranged and performed with a western swing and a country twang. The drums rolling and marching in the back, taking the afternoon off to put some pep in their steps. The bass walks the line in the high noon sun, the rays beating down, casting bird shadows. When the vocal medley kicks in the song really takes off, it's so tonal it's tangible and it tastes like groove.
Swinging drums start and the guitar and bass punch out the hook with no time to lose. It's grippy and it catches you, drawing you into the song within. Once you’re there it's warm, it's huge and it's classic country done right. Harmonica blares and whittles at the medley as it sits in the wind as the track barrels home in style.
Every song on SIN7 has been a blast, bringing new ideas and concepts to the genres that are graced by a track from Spyderhuff. ‘The Mirror - Pride’ marks the 6th entry and the band are still going strong, the only bad thing about it is that it's the penultimate song in the series, and I could listen to this vibe forever.
E.A. POETS APPROVED/BANDS WE LIKE – SPYDERHUFF
The Mirror – Pride is Spyderhuff’s Single
Good Day Noir Family, the music of this band always manages to create visions in your head that make you forget the reality around you. This time while listening to The Mirror – Pride the scenery turned yellow and I found myself driving a Cadillac through the streets of Alabama. Spyderhuff’s passion is undeniable and the sacred fire of the blues runs through their veins.
Spyderhuff’s strength is that their music is pure. The sounds are real and the mix brings them out and it feels like the band is playing just for you. It’s always nice to listen to their songs because they give you sincere moments, true emotions. The fact that their sound is created by real instruments and not beats manages to give that vintage glaze that distinguishes their music.
Spyderhuff is a remote recording band spread out in different cities across the U.S. This track is part of a series about the Seven Deadly Sins entitled ‘SIN7’ and is being released as singles. The title is ‘The Mirror (Pride)’ and is sixth in the series. It’s in the blues-rock genre with a country vibe. The lyrics express obsession with the idealistic self-image and its destructive nature.
By Rubin Mathias
Spyderhuff – The Mirror | Harmonica High
The Mirror is the sixth single or sin from the SIN7 EP by maverick Detroit rock act Spyderhuff based on the deadly sins. We get a harmonica dipped tasty track of blues rock and rock-n-roll. The song here represents the sin of pride as can be inferred from the title of the song. An organic raw sound with the smell of the blues is the highlight of the song.
A prominent and gritty blues bass line dominated the arrangement. The bass line is the groove pulse of the song. There is plenty of space in the mix with a lesser dominance of the guitar allowing for every element to breathe. The harmonica existing in this airy canvas is a delight to savour. Eclectic percussions are combined with tastefully performed minimal blues style drumming. Harmonica riff being combined with the guitar riff is a great way to create a resounding motif by Spyderhuff.
This engaging but relatively laid back blues rock song is smooth and harmonious. The vocals come in with a soulful, bluesy tone that is both relatable and soothing. The melody is catchy and easy to follow, with a strong beat that keeps the listener engaged. The song builds in intensity as it progresses, with apt energy and depth to the sound. The lyrics on the eternal vice of vanity are honest and raw, expressing emotions in a way that is both authentic and universal.
Spyderhuff with The Mirror crafts blues rock song is a perfect blend of expression and emotion, making it a great choice for anyone looking to unwind and lose themselves in the classic but modern blues sound of the delta.
SPYDERHUFF – THE MIRROR - PRIDE
Music reviews /
Here at the Send Me Your Ears studio, we’ve been thoroughly listening to Spyderhuff’s releases all year. Taken from their album SIN7, about the Seven Deadly Sins, their latest single, The Mirror speaks of Pride, and lyrically expresses obsession with the idealistic self-image and its destructive nature.
The Mirror is another classy blues rock track with hints of country this time. The hint of country in this song reminded us just a touch of the Red Dirt Rangers, an Oklahoma based Red Dirt Country band.
The blues harp in this track is superb. We loved the tone and effects used on it. It has a perfect dirty blues sound to it. The percussion throughout the track is gorgeous, with some fantastic bongo rhythms – the song even ends on a few well-placed bongo taps. We also were particularly impressed at the thumpiness of the kick drum on this track which helped to keep the song powering along.
Pride has some glorious slide guitar moments in it as well, each instrument adding perfectly to an authentic country/blues-rock crossover.
We absolutely loved the gospel-like harmonies in the choruses. These took the song to a whole new level and gave the song some extra interest. The lead vocal takes a slightly spoken-word style in places and displays some wonderful attitude and flair: reminding us in places of Steve Earle or Lou Reed.
E.A. POETS APPROVED/BANDS WE LIKE – SPYDERHUFF
Good Day Noir Family,
the new single of Spyderhuff is out now and I liked its vibes right away.
Spyderhuff’s eclecticism is undeniable, the last time I listened to their music I was struck by the strong rock sound. This time however the atmosphere is much more sly and takes us into a sound universe that is closer to traditional American music. The one that comes from the Appalachian mountains and that spreads throughout the country carried by the wind.
The Blues shades make you imagine walking around the streets of New Orleans. This song has the ability to free your spirit and make you feel part of the universe around you.
Spyderhuff’s communication skills are intriguing.
Every time I listen to one of their songs I am fascinated by the great creativity that allows them always to venture into innovative musical paths.
10 out of 10!
By Paritosh D
Spyderhuff – Never Am I Full | Soul Gazing
Absolute mastery of lyrics. Absolute mastery of human sentiment. An artist who can see into your soul. An artist who can see their own soul. An artist with the most soul – Spyderhuff! This track is an absolute masterpiece! A gem for when you need to just sit down and understand whats going on in your life. There comes a time for every person, when they feel a pain that digs deeper than the physical. A feeling that you can’t shake off. A hunger you cant stave, a pain you cant heal and a cold you cant seem to fight! This is for those times. To remind you that its not your body but your soul that needs healing!
Spyderhuff members are Tom Kuhr (vocals, guitar, harmonica, sax, synth), Don Beyer (bass, synth), Jim Pauli (drums), Joey Gaydos (guitar), Tony Mitchell (congas, bongos, drums, backing vocals), and Julie Noe (backing vocals).
What’s up with the name Spyderhuff?
“Being raised in the Detroit area, one gets immersed in automotive history. Ed ‘Spider’ Huff worked with Henry Ford when they both were employed at the Detroit Edison powerplant in the 1890s. Ed was a self-taught genius concerning all things electrical and Henry would later use his talents for the development of the early ignition systems on all Ford cars. So, the name is a tribute to all the unsung heroes in back rooms hidden from history who make and keep the wheels turning.” – SPYDERHUFF
SIN7 is a very unique concept by Spyderhuff, wherein they release singles talking about the 7 deadly sins. Each song is a tribute to one of the sins. This track is titled – ‘Never Am I Full’ and speaks about gluttony. Gluttony form a metaphysical perspective where the soul is always hungry and it cannot be satisfied with mere physical consumption.
The song has all the cliche blues elements with some very nice guitar work and percussions are out of the box! Its like this song was sung all the way back in the 1860s with amazing influences from the time, making it a true blue soul gazing track! The guitar work is absolutely stunning and just lets you lie down on the grass and gaze at the sky while the sky gazes back into your soul. Do a little soul searching and introspection while you focus on yourself and try to heal your pain!
SPYDERHUFF – NEVER AM I FULL
Music reviews /
A few months back at the Send Me Your Ears studio, we reviewed Spyderhuff’s track, Angry Flames. We described it as one of the most exciting blues-rock tracks we’ve heard in a while, so you can imagine our excitement when Spyderhuff hit the top of our reviews pile again today with their latest single, Never Am I Full.
Never Am I Full takes the band in a different direction. This is a much slower blues track that will have you nodding real slow and taking it all in, exquisite slide guitar note by note.
Spyderhuff’s current project is a collection of songs about the Seven Deadly Sins from the album SIN7, with singles released throughout 2022.
Never Am I Full starts on some beautiful slide guitar and a super cool and slow rhythm. There are some very unique and interesting percussive instruments used here.
The harmonica in this track feels like it has been ripped straight out of the 1920s, with a skill and aptitude that sends shivers down your spine. The slide guitar is equally impressive, and the whole song grooves along with the attitude of a man who is always wanting more.
Lead vocals, provided by Tom Kuhr, are bluesy and gravelly and suitably low for the song. Think Tom Waits or Lou Reed on a good day. Later in the track, a female vocalist (Julie Noe) takes the lead and takes the song to the end. Her voice and the background vocals throughout the song give it a real gospel feel.
We love how this song is broken up into lots of different sections which helps keep the listener’s interest maintained throughout the track. We particularly liked the use of a “just drums” section because…well why not?!
There’s an interesting wave of sound coming and going throughout the song and we love the expertly performed incidental instrumental moments. To our ears, this is a perfect film score soundtrack. It made us think of the movies Crossroads or Black Snake Moan. We imagine that this is just the perfect song for Quentin Tarantino to pick up and run with for use in a movie.
From a production perspective, we’d suggest a boost around 55Hz would add some extra thump to the kick drum and a high shelf boost in the top octave would add to the brightness. A light compressor and some make up gain would add warmth and volume overall.
For a thoroughly chilled-out gospel blues experience with some outstanding slide guitar and harmonica work, look no further than Spyderhuff’s latest single, Never Am I Full. Superb track!
By Freddie Mckee
Spyderhuff are rolling out singles for their SIN7 project and the fifth release, ‘Never Am I Full - Gluttony’ is a single you won’t want to miss
It's blues to the core. The melody is a classic old jive and you know I love a harmonica especially one played as well as it is in this track. It gives a big band vibe but keeps it casual, the sound rises and falls and plays with velocity to vary the tones and textures. It's a well-thought-out and well-played example of blues done right. If ‘Never Am I Full - Gluttony’ is your gateway into Spyderhuff then get ready for some amazing songs to come your way.
The song opens with some sliding guitar riffs and cymbals, the tone is set and you know it's a good one. The bass lines up with the guitar and the harmonica leads the vocals and drums into the mix. Together they build a tone that is rich and classic. A bigger guitar plays its part as the song goes on and it's just what it was missing, when the chorus hits and those harmonies play out it's a high you won’t want to come down from. A brilliant single with inventive percussion, stellar vocals and some slapping bass and guitar lines. Bring on the rest of SIN7!
By Hazem Mahani
Never Am I Full-Gluttony by Spyderhuff
“Never Am I Full-Gluttony” opens with pure unmistakable country guitars, storytelling charismatica vocals, and dominating harmonica. The subtle bass line plays a great role in keeping the song’s pace and mellow vibes, while the electric guitars and harmonica engage in a playful, interesting conversation, forming the perfect setup for Spyderhuff’s folky/country approach. The vocal melody kept its expressive tone while keeping up with the music’s progression, and being backed by amazingly-timed backing vocals with perfect harmonies. Spyderhuff’s clear vision and direction appears clearly on the dynamics of “Never Am I Full-Gluttony ”, they managed to create an interesting flow without borrowing any out-of-genre elements or sounds.
“Never Am I Full-Gluttony” is a solid country tune with a clear message and enjoyable mellow melodies. Spyderhuff’s sound shows determination, and well knowledge of their sound, creating a worth checking out catchy piece that’s appealing to any music genre lover. Looking forward to more from Spyderhuff, keep on rocking guys, cheers!
By Nishant Varma
Spyderhuff- What You Have | Absentia
Spyderhuff There is a velvet rope section in paradise for those who bring a smile to other people’s face. There’s another VIP section within that area for those who do it with music. Spyderhuff break the silly strings that society classifies genres by and zips between them in their singles. Their latest one is called What You Have.
Call it a gift from The Melvins, Helmet and maybe even The Jon Spencer Blues Explosion. Spyderhuff take the literal best from all these different worlds and create their own hybrid. Their sound features revitalizing riffage, creative transitions and featured narratives that make it exciting and fresh. The echoing guitars in the verse section allow the lyrics-or in this case the tale to be told with the desired impact. There are Eastern percussion instruments peppering the stylish delivery of this dialogue.
The riff is not the only thing that is the king here. Spyderhuff did it with Girl in the Photo as well, there is vague connection to many bands, but they’re definitely their own sound. Almost like a supegroup- it has the special accents of the best of many worlds coming together. Check out their 2022 singles for a stoner rock revival and their 2021 EP Think About Me.
By Gabriel Mazza
Spyderhuff Explores Envy In New Record ‘What You Have’
Well, if you were looking for a fresh, special act, you found one. Hailing from Detroit, US, Spyderhuff champions a peculiar brand of retro rock, infused with soul and surf influences. Opening their press material with “for all you pop music hamsters, this tune may cause extreme treadwheel trauma. Be aware, this music is a detour from the usual comfort of predictable composition”, we didn‘t quite know what to expect, but we did know we were in for a wild ride. What else can you expect from Spyderhuff?
Earlier this year, the group started releasing a series of records themed around the deadly sins, called SIN7; ‘What You Have’ is the latest chapter, focusing on envy. Featuring band members Tom Kuhr (lead spoken word, guitar, harmonica, synth), Don Beyer (bass), Tony Mitchell (bongos, vocals), Joey Gaydos (guitar, composition), Julie Noe (vocals), Jim Dooley (drums), and Janet Swanson (Lyrics), the track is another clear glimpse in Spyderhuff’s unique artistic universe.
‘What You Have’ starts in true rock’n’roll fashion: drums and guitars at maximum force, driving the piece into a haunting, sultry direction. The harmonica is always a pleasant surprise, definitely one of Spyderhuff’s best-known qualities. It is hard to define the track: it is such an original concoction of sounds! It does work though, once you listen to it: spoken words vocals guide the listener into a journey through human nature, while the supporting instrumental makes sure we are never bored. Musicianship is certainly not missing here: the group knows how to play.
All in all, another surprising release from Spyderhuff, showcasing themselves as one of the most interesting rock acts around. Recommended!
By Moataz Gwaily
What You Have by Spyderhuff
Musical praise doesn’t get much higher than a comparison to Led Zeppelin in my point of view. And this is exactly what I found myself returning to during my multiple listens to this song, how much certain elements could easily fit into a Led Zeppelin song.
Spyderhuff is a Detroit-based rock outfit that puts out intense rock tunes with classic rock infusions, and their latest offering, titled ‘What You Have’, is the 4th song in their 7-song marathon, a song for each of the 7 deadly sins, this one handles the sin of Lust. The words are spoken, there is no singing here, but that doesn’t stop the words to have rhythm and swagger and be absolutely banging, with the dense southern accent and the dark humor in them. They are delivered via Tom Kuhr, who also plays a hot blues motif on a distorted harp that would fit quite snuggly into a Zeppelin album. The drums, courtesy of Jim Dooley, are also intense and vast with bongos and congas fluidly mixing in with the usual snares and kicks, putting in mind also the heavy, but mathematically accurate, hands of John Bonham. The riffs are fueled and are filled with gnarly overdrive, with chugs and scrapes, they pack a hefty punch. The general composition, courtesy of lead guitarist Joey Gaydos, is pure power blues, taking a page straight out of the ‘When The Levee Breaks’ book.
A passionately mixed song with outstanding confidence and character. It’s rare to see an artist carry out such an impressive feat and remain composed and strongly true to themselves throughout its execution like Spyderhuff Does here. And to that I wait for more and say “Well Done!”
E.A. POETS APPROVED/BANDS WE LIKE – SPYDERHUFF
Good Day Noir Family,
Spyderhuff are unstoppable and this time they will entertain us with a psychedelic tune titled “What You Have”.
The first guitar chord with that acid and distorted sound immediately opened a gate in my soul. This is followed by a metal riff that pushed my arm upward with the horns pointed towards the sky. Spyderhuff’s ability to mix various genres and create a unique sonic blend is truly fascinating. The harmonica and the vocal interpretation reminded me of legendary songwriters like Bob Dylan but then the guitars take you completely to another hard rock universe. It is very difficult to create a coherent musical design when using so many elements, but Spyderhuff succeeds in this arduous undertaking. What You Have is a beautiful, experimental, and innovative song that demonstrates the unlimited compositional skills of this band.
10 out of 10!
By Rubin Mathias
Girl in the Photo – Spyderhuff | Blazing Lust
Detroit rockers Spyderhuff seduce us with their third single Girl in the Photo, from their upcoming EP SIN7. SIN7 promises to be a series of blues-rooted rock ‘n’ roll songs on the classic deadly sins. Tracks will be released throughout the year. After the sins of sloth and wrath in their previous releases, Spyderhuff tackle lust in this old-school American rock number.
Spyderhuff are named as a tribute to working-class hero Ed ‘Spider’ Huff. Huff was an early colleague of Henry Ford when they worked at the Edison Detroit power plant. Ford used Huff’s innovations in the development of the early ignition systems on all Ford cars. In what was initially a duo project, Spyderhuff now includes several new band members.
The song starts with the prominent bassline kicking into some fiery riffs and lyrics of lustful fantasies. Vocalist Tom Kuhr channels his inner Jagger for some versatile vocals. Veteran Detroit guitarist Joey Gaydos does a phenomenal job, especially with the blazing solo in the song’s latter half. (Fun fact, Gaydos is the father of the School of Rock fame Joey Gaydos Jr, himself involved with the band.)
The song has healthy sprinklings of synth work complementing the production of the song. The drum work by drummer Tony Mitchell is austere which serves the song suitably. Lyrically, the narrator is aware of his “toxic brew” of lust likening it to poison. This includes a forbidden neighborly fantasy to pictorial fixation. In all of these, he is acutely aware that none of them are “the real you”. Overall, Girl in the Photo is a tasty piece of straightforward in-your-face rock on the eternal carnal vice.
By Sara Refat
Girl in the Photo by Spyderhuff
Friends and business partners are the perfect mix ever, that is exactly what the “Spyderhuff” are.
They are a group of six incredible musicians showing us the marvelous old-school rock spirit we all know but in their own way through their different series “sin7”, it’s a series a about the seven deadly sins, of seven tunes that will be released one at a time as singles throughout 2022. Two singles have been released already from the seven, and now it’ the time for their third masterpiece “Girl in the Photo”.
Girl in the Photo simulates the third sin “lust” in a unique way, in fact, chosen a title like a “Girl in the Photo” is a great one indeed because it reflects the third sin perfectly. Sometimes you feel that the music expresses it more than words, as you can find a rock song with all perfect elements that needed. The lyrics, the instrumentation, even the music video simulate the topic nicely. You cannot talk about a rock tune without mention the guitar and drum lines which already got me perfectly in the exact needed mood, a different way to listen to rock not only by the ears, also by your soul.
A couple of minutes is all you need to steal from your busy day to put you in a different mood while listening, feeling and enjoying that exact moment through “Girl in the Photo”.
Kartik Sundar - Find No Enemy
Spyderhuff - Angry Flames (Wrath)
Part of a larger collective of singles that describe and are based off of the seven sins, ‘Angry Flames (Wrath)’ tackles its subject matter through heavy and powerful blues driven hard rock style. There’s anger imbued throughout the record, from the pulsating guitar to the ominous chanting that forebodes in the background alongside a percussive element that continually builds and maintains its tempo and balance in the background. It’s in the arrangement that Spyderhuff really start to showcase their capabilities.
For a group that records remotely in different cities through the United States, the sheer scale that this collaboration operates on is remarkable. The lyrics are pointed and up front, effectively outlining the rage and anger. The scale of that emotion is only given further impetus through guitar work that has you constantly amazed and yearning for more by its end. The solo is simply fantastical.
An absolute rollercoaster of a hard rock tune that doesn’t come across too often these days.
Review - Indie Dock Music Blog
Spyderhuff - Angry Flames (Wrath)
The basis of the American band Spyderhuff are two old friends of musicians who played together in different bands and formed Spyderhuff in the early 90's. After a long creative pause, the band reincarnated into a large studio project, which was joined by wonderful musicians from other American cities.
Their new single 'Angry Flames - Wrath' was released on March 18. The composition is one of the seven tracks of the concept series called 'SIN7'. The song 'Angry Flames - Wrath' is meant to reveal the meaning of anger and its impact on people.
The vocalist leads a powerful line intersecting with the electric guitar in blues rock tones. A powerful guitar riff appears on time and tune the rhythm section to an energetic accompaniment. The aesthetics of live instruments are beautiful and especially in the form of such cool rock music.
Listen to the single 'Angry Flames - Wrath' on Spotify below and appreciate the skill and originality of the creative idea from Spyderhuff.
SPYDERHUFF – ANGRY FLAMES – WRATH
Spyderhuff released their much anticipated new single today. Angry Flames (Wrath) is one of the most exciting blues rock tracks we’ve heard in a long time.
It's not often that Blues Rock songs keep the listener on their toes. We love blues rock, but you know what you’re going to get pretty soon after you start listening. Spyderhuff, however, kept us on our toes for the entire song. We kept looking at each other and asking “where is this going next?”
There are elements of so many different genres and styles in this song, but it absolutely works. We’re really very excited to hear blues rock being taken in such a new and unique direction. The song starts on just bass guitar and then comes in with what we can only describe as something that almost sounds like chanting from a monastery. – Stay with us – it's well worth the ride. The main part of the song seems to start after about 20 seconds or so with some just glorious conga playing. The guitar riffs in this section set us in mind of Tommy Castro – really clear and simple riffs with a nice tone.
The low end of Angry Flames (Wrath) is really clear and mixed very well – another plus – and another thing which is often missing from your run of the mill blues rock. The kick drum is coming through nice and clear and the full drum kit complements the congas with ease. There’s a little breakdown in the middle that’s mostly just vocals with some lovely haunting echoes on them and then into a real Stevie Ray Vaughan style guitar solo.
A nice touch with female gospel vocals at the end left us hitting replay straight away. Angry Flames is just so intriguing and well considered. Its almost as if someone handed Spyderhuff the rule book about how to play rock blues and they just ripped it up and laughed. Spyderhuff have taken all the best elements of rock blues and combined them with several other genres to make a song that really stands head and shoulders above the rest.
For production, we suggest a small dip in the 6-700Hz area to balance out some frequencies in the vocal track and a shaelf boost around 8kHz to bring out some extra brightness and air – especially in those sizzling well recorded and well played drums. Overall a very well mixed and mastered song.
Spyderhuff are most definitely an act that we’ll be keeping an eye out for. They are US based, but with members across the country, they’ve clearly made the effort to pick the cream of the crop and it shows.
Mercedes Thomas - RockEra Magazine
**Any type of violent behaviour is discouraged at all times, except for when you use your creativity to put it all out harmlessly**
Exhibit A:
Angry Flames - Wrath is an ode to everything that can go wrong and makes you mad in life. An excuse to get all the angry words out of your chest and let them spark your anger and burned it all out.
The black and white, grungy, industrial-like video accompanying the song promotes visually this fiercely enraged song. The lyrics play along during the video as well, so you can sing along and let the flames of your anger fire out of your lungs until you wear out all negative vibes.
A beautiful balance between rock ‘n’ roll and the spiritful blues. This perfect example of creative ferocity brings us back to the good, classic 80s-90s of rock, while the mellow, clear voice brings the best of blues.
The haunting notes of the guitar alongside the bold drums get us bouncing our heads back and forth, and tapping our feet to the rhythm of the instruments.
The lyrics hit back home, as even though bad days are usually prefered to be left behind and forgotten, it’s also healthy to admit the bitter emotions and express them outloud.
The title ‘Angry Flames - Wrath’ is second in the series, the band’s current project —a series about the Seven Deadly Sins entitled ‘Sin7’, to be released as singles throughout 2022.
By Claudia Mendes
Spyderhuff have taken years of experience and combined them to create the back road fusion that is their sound. With ‘Lazy Soul’, they offer up a hot helping of their sound through the blues, rock and country mix. If you are looking for a song that mashes stories only life-long friends can tell with addictive musical flows, you are definitely in the right place.
As part of the band’s Seven Deadly Sins project, this single slides you into sloth and has you enjoying every step. Tom Kuhr and Don Beyer are childhood friends who have been playing music together for years and first started a jazz fusion band in the 70s. Since then, there was a rock band and the original Spyderhuff formed with drummer Jim Pauli. These three musicians reformed the band in 2020 with Joey Gaydos, Julie Noe and Tony Mitchell joining for the final line-up.
The bass that opens ‘Lazy Soul’ thrums through your brain while the country tones of the harmonica trill. There is a really great funky blues tone to the melody that instantly hooks you to the band’s sound. That opening bassline continues to draw you into the single while the rest of the instrumentation layers over it. The horns bring a country edge with a splash of big band while the electronic guitar soars on waves of classic rock. It is an amazing amalgamation of musical elements that perfectly come together to inundate your sense with their sound. You can’t escape the movement of the music and, honestly, you don’t really want to.
As you are held in place by the music, the vocals bring this amazing classic blues flow. The almost spoken delivery of the vocals is great as they scratch an itch at the back of your brain. There is a single line to the chorus that flows with multiple vocal lines that makes you want to sing along. While you are getting lost in the overall movement of the single, the lyrics detail a spiral into sloth and laziness. At times, it feels like there is a dual meaning to the lyrics as they touch on physical and mental laziness.
Spyderhuff have you addicted to their bluesy country-rock sound as they delve into one of the seven deadly sins in ‘Lazy Soul’. The music has you entranced as the layers rush over you and get you swaying to their epic movement. The vocals move from country spoken word to a rich single line chorus that makes you want to sing along.
Spyderhuff goes for a slow-moving bluesy spirit on “Lazy Soul”.
By Colm Slattery
Spyderhuff goes for a slow-moving bluesy spirit on “Lazy Soul”. A lot of heart and soul comes through on the track. Thanks to the updated take on the blues, there is a powerful quality to it. Volume is an absolute must for there is a physicality. He conjures up a sheer force of nature about it. Every single instrument has a grace behind it, and the band’s interplay feels fantastic. Rather nice curveballs come in the form of that wonderful horn section, the sort of thing that adds just the right kick to it. Rhythms are ramshackle for they maintain a degree of looseness. One can almost sense the southern humidity that spikes up throughout the entirety of the track. By mixing layer upon layer there is a brilliance to be had in taking it all in.
From the first moment the song unleashes its sheer vulnerability. An intimacy rises out of the whole of the work. Rather carefully produced every single gesture works wonders. The flourishes here have a grandeur to them, for they swing through. By far the highlight of the track comes from his vocals. Lyrics stream downwards for the verses have a poignancy to them. With the song taking its sweet time, the contemplative ode of the piece feels rather righteous. With this physical, swinging sensation they take the classic sound of the blues and manage to bring it into the present day in a way that is highly respectful.
“Lazy Soul” shows off Spyderhuff’s uncanny ability to craft a world that feels absolutely teeming with life.
E.A. POETS APPROVED/BANDS WE LIKE – SPYDERHUFF
Good Day Noir Family,
our “E.A.Poets Approved/Bands We Like” section is dedicated to Spyderhuff. I discovered this Band while shuffling songs on Spotify and I liked the vibes of their music.
I was struck by the sound of this band.
It is clear that Spyderhuff takes inspiration from the past but at the same time, they have managed to add innovative musical ingredients that make the overall sound modern and solid. Of the new single Lazy Soul, I really liked the rhythmic cadence that prevented me from staying still and I started to dance and feel the groove.
Even the guitar solos are fantastic, making a bit risky comparison, the overall sound is as if ZZ Top had met Johnny Cash with Santana playing the guitar … a fascinating and perfect blend. The chord progression is never predictable and banal and the production is excellent especially the mix that leaves the right space for each sound element and the song breathes well.
Go and listen to them, it is worth it!
Lazy Soul is Spyderhuff’s Single Out Now!
Direct and Energetic!
Spyderhuff’s ‘Lazy Soul’ is Anything But Lazy
Written By Fran Lusty
Spyderhuff release ‘Lazy Soul’, which is the first single from their debut EP ‘SIN7’. Inspired by the Seven Deadly Sins, the project will consist of seven tracks, which will be released throughout 2022. ‘Lazy Soul’ is an incredibly strong start, preparing us for what is to come. The track is a mashup of genres, from country to blues, showing off Spyderhuff’s unique sound.
The band consists of Tom Kuhr, Don Beyer, Jim Pauli, Joey Gaydos, Tony Mitchell and Julie Noe. Tom and Don have been playing together for over fifty years, and have been in a range of different bands together, from jazz-fusion to rock. Drummer Jim Pauli was the next person to join the duo. The trio released a number of EPs, including ‘Tired Wrangler’ and ‘Think About Me’ last year. Joey, Tony and Julie have since joined the band, completing the look and the sound. The electric guitars dominate the song, filling every possible space with groovy riffs and big brush strokes. Julie’s backing vocals come as a lovely surprise, taking over the melody in the outro. The bass is the beating pulse throughout the track. Every instrument plays a unique role in ‘Lazy Soul’ and is indispensable to the overall sound. Fans of John Hiatt, Government Mule, Lou Reed, ZZ-Top, Dire Straits, Tom Waits, etc., will highly appreciate Spyderhuff’s talent and energy.
Written by Katrina Yang
Spyderhuff takes you down the country road, to a dim, smoky southern bar where the mournful sound of blues harmonica intertwines with road-worn vocal that filled with life stories. Captivating melodies seem to resonate and echo with your own journey, the soaring guitar jam lifts the roof just a little higher so it could reach further to the sky.
“Desert Rain” is all about the groove and the feel, the soul that softly mourn to the sound of harmonica and the stories behind the lyrics. Spyderhuff has so perfectly orchestrated a timeless track that one could fully immerse themselves in. Rhythmic and soulful, “Desert Rain” is easy to groove with and dance to, lighting up a cigarette, thinking or not thinking about the day, getting lost in the saucy southern twang.
Spyderhuff has a very special touch that comes to manipulate this balance between live instruments and electronic elements, creating a cloud-like soundscapes that enhance the fell with synth while maintaining the edgy, authentic feel of the blues/country music genre.
Spyderhuff - Think About Me
By Jamie Funk
Tom Kuhr, Don Beyer, Jim Pauli, “Guitar” Joey Gaydos and Tony Mitchell are Spyderhuff. The band’s roots go back to the '70s and on their release Think About Me melds that classic rock sort of style with other genres.
The EP starts with the title track “Think About Me” and is very much a mix of ’70s classic rock and some synths as well which had a very ’80s sort of midi aesthetic not too far from Peter Gabriel and to a lesser extent Talking Heads. The song is fun and loose. It’s also filled to the brim with instrumentation. They did say: “The title track “Think About Me” is a social commentary about social media. It has become a powerful centrifugal force that pins us to the wall of a spinning drum. Interestingly, the lyrics were written in 1992.”
The next song is “Drunk Like a Baby.” Musically there’s a bit of a Pink Floyd thing going on but more like it was played by a jazz band. The horns sounded great and the funky guitar worked as well. I loved some of the grooves. The vocals are similar to the first song and just very loose and borderline comedic. I would say the vocalist is having fun with it.
“Cracker Jack Shack” is a tip of the hat to ’70s blue collar type of classic rock. The band even busts out the cowbell. This song might be a straight parody but either way I loved it. They play into the rock n’ roll handbook and pull off tons of classic rock moves. I thought the harmonica was a nice addition as well.
“I’m Not Afraid” might be the highlight. The song is melodic and a perfect balance between sincerity and levity. There was something in the delivery where the song felt reflective but didn't feel melodramatic. The band goes for more of a country angle on “Revenge In Heaven” and the tone is again sort of on the line.
The songs felt inspired by the ’70s and ’80s but the band jumps around in terms of style and approach. I thought the songs were accessible and felt powerful yet fun at the same time. Recommended.
YMX Arts & Entertainment
Spyderhuff fuse Blues-Rock, Country and retro club beats in new Single ‘Think about Me’
For over fifty years childhood friends Tom and Don ie. Michigan based duo ‘Spyderhuff’ have been playing music together. Although their collaboration has been completely remote of late it hasn’t stopped their creative juices flowing and their newest release a genre bending mesh of blues-rock-country and techno proves just that.
The track is quirky, edgy and tongue in cheek. The lead vocal delivered speech style, provides a commentary on the Black Mirror-esque nature of modern society, social media and it’s narcissism inducing affects summed up in the main hook “I only think about, what people think about, when they think about me”.
The combination of Bongo heavy club beat, retro electric guitar solos and a clear timely message works far better than I imagined a Blues-Rock-Country and Techno fusion ever could. It’s experimental sure, but Spyderhuff’s experiment has certainly paid off.
Spyderhuff - Tired Wrangler
By Jamie Funk
How many years has it been since the two members of Spyderhuff made music together? Twenty-eight. Their history together goes back farther than that. According to the band they first started playing music together over fifty years. Who doesn't like a reunion?
For their release Tired Wrangler they explain the musical subject matter ranges from ‘loud mufflers’ to ‘growing old.’ I'm in, so lets go. They get the car revved up with “Get a Muffler, Babe” which is a slow burn with just enough attitude and grit. It’s a bluesy rock song with some gritty distorted guitar and some sweet harmonica that’s on fire. The vibe is very ’70s from head to toe and the band sounds at home here. They are having fun and you can tell.
I was not expecting synths but I got some on “Desert Rain.” The synths only created some atmosphere which felt appropriate. It’s a more lush song but there is again some harmonica that burns. The name Desert Rain really fit the vibe perfectly.
The duo have more success with the title track “Tried Wrangler.” I definitely heard a bit more of an affectation on this song. There are some country sounding vocals which by the way are great. This is a slower ballad that is quite relaxing and fun at the same time.
“Ten Thousand Things Could Go Wrong” was another move I wasn’t expecting. This is a funky ’70s type of song. There is a smidge of Bowie here and a very fleshed horn section. It sounds great. They somehow pull this style off.
I love a good driving groove and that’s what we get with “Midwestern California Boy.” Last up is “I’m in the Middle of a Big Wide World” and was one last turn I wasn’t expecting. There is an ’80s aesthetic to this song and some synths and what could be electronic horns.
This was a great release. There were some unexpected turns which just felt like the guys were having fun. I could argue that made the release less cohesive but something about it made it work which is hard to pinpoint. These two clearly have chemistry and make some killer tunes. Let’s not wait another twenty eight-years for the next release.
Pigeon Opinion - Weekly Gems
